{"id":1889,"date":"2026-06-02T20:29:38","date_gmt":"2026-06-02T23:29:38","guid":{"rendered":"https:\/\/utfpr.curitiba.br\/neabi\/?page_id=1889"},"modified":"2026-07-06T10:15:32","modified_gmt":"2026-07-06T13:15:32","slug":"acervo-carol-dartora","status":"publish","type":"page","link":"https:\/\/utfpr.curitiba.br\/neabi\/acervo-carol-dartora\/","title":{"rendered":"Acervo Carol Dartora"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"1889\" class=\"elementor elementor-1889\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-765d265 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"765d265\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-5812a72\" data-id=\"5812a72\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-4c69a19a elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"4c69a19a\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-34bd7248\" data-id=\"34bd7248\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-87ca1f4 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"87ca1f4\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-44f969a\" data-id=\"44f969a\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f7df3e1 elementor-widget elementor-widget-image\" data-id=\"f7df3e1\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"499\" height=\"333\" src=\"https:\/\/utfpr-ct-static-content.s3.amazonaws.com\/utfpr.curitiba.br\/wp-content\/uploads\/sites\/181\/2026\/06\/52577802673_b463456be0.jpg\" class=\"attachment-large size-large wp-image-1890\" alt=\"Deputada Carol Dartora\" srcset=\"https:\/\/utfpr-ct-static-content.s3.amazonaws.com\/utfpr.curitiba.br\/wp-content\/uploads\/sites\/181\/2026\/06\/52577802673_b463456be0.jpg 499w, https:\/\/utfpr-ct-static-content.s3.amazonaws.com\/utfpr.curitiba.br\/wp-content\/uploads\/sites\/181\/2026\/06\/52577802673_b463456be0-300x200.jpg 300w\" sizes=\"(max-width: 499px) 100vw, 499px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-5092112\" data-id=\"5092112\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-d2d011c elementor-widget elementor-widget-heading\" data-id=\"d2d011c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">Ana Carolina Moura Melo Dartora, mais conhecida como Carol Dartora, \u00e9 professora, historiadora e uma figura pioneira na pol\u00edtica paranaense. Em 2020, rompeu barreiras hist\u00f3ricas ao se tornar a primeira mulher negra eleita para a C\u00e2mara Municipal de Curitiba. Dois anos depois, fez hist\u00f3ria novamente ao ser a primeira mulher negra a representar o Paran\u00e1 como deputada federal. Com uma trajet\u00f3ria marcada pela defesa da educa\u00e7\u00e3o e dos direitos sociais, a deputada \u00e9 uma grande parceira do NEABI. Este acervo \u00e9 uma forma de expressar nossa profunda gratid\u00e3o pelo seu apoio fundamental.<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<div class=\"elementor-element elementor-element-7198e745 elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"7198e745\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>O nomeamos assim este Acervo para homenagear sua patrocinadora, a <a href=\"https:\/\/www.camara.leg.br\/deputados\/220704\" target=\"_blank\" rel=\"noreferrer noopener\">Deputada Federal Professora Carol Dartora<\/a>, via emenda parlamentar. S\u00e3o, atualmente, <b>183 t\u00edtulos<\/b> no <em>campus <\/em><i>Curitiba<\/i>, isso sem contar os t\u00edtulos adquiridos para outros Neabis dos outros 12 <em>campi<\/em>.<\/p>\n<p><!-- \/wp:paragraph --><!-- wp:paragraph --><\/p>\n<p>O <strong>Acervo Carlos Dartora<\/strong> \u00e9 constitu\u00eddo de t\u00edtulos nacionais e internacionais no escopo tem\u00e1tico da <b>Educa\u00e7\u00e3o das Rela\u00e7\u00f5es \u00c9tnico-raciais<\/b>, conforme valores civilizat\u00f3rios emanados das Leis <a href=\"https:\/\/www.planalto.gov.br\/ccivil_03\/leis\/2003\/l10.639.htm#:~:text=LEI%20No%2010.639%2C%20DE%209%20DE%20JANEIRO%20DE%202003.&amp;text=Altera%20a%20Lei%20no,%22%2C%20e%20d%C3%A1%20outras%20provid%C3%AAncias.\" target=\"_blank\" rel=\"noreferrer noopener\">10.639\/2003<\/a>, <a href=\"https:\/\/www.planalto.gov.br\/ccivil_03\/_ato2007-2010\/2008\/lei\/l11645.htm\" target=\"_blank\" rel=\"noreferrer noopener\">11.645\/2008<\/a> e <a href=\"https:\/\/www.planalto.gov.br\/ccivil_03\/_ato2007-2010\/2010\/lei\/l12288.htm\" target=\"_blank\" rel=\"noreferrer noopener\">12.288\/2010<\/a>.<\/p>\n<p><!-- \/wp:paragraph --><!-- wp:paragraph --><\/p>\n<p>Os livros e dicion\u00e1rios abaixo relacionados est\u00e3o na <a href=\"https:\/\/www.utfpr.edu.br\/bibliotecas\/sobre\/biblioteca-curitiba-sede-centro\" target=\"_blank\" rel=\"noreferrer noopener\">Biblioteca da UTFPR Campus Curitiba Sede Centro<\/a> (para consultar e localizar de itens no acervo, <a href=\"https:\/\/www.utfpr.edu.br\/bibliotecas\" target=\"_blank\" rel=\"noreferrer noopener\">clique aqui<\/a>):<\/p>\n<p><!-- \/wp:paragraph --><!-- wp:paragraph --><\/p>\n<p>Sugest\u00f5es de t\u00edtulos para o acervo, <a href=\"https:\/\/forms.gle\/VfSS2AomQzoJPb8V6\" target=\"_blank\" rel=\"noreferrer noopener\">clique aqui<\/a><\/p>\n<p><!-- \/wp:paragraph --><!-- wp:table --><\/p>\n<p><!-- \/wp:table --><!-- wp:paragraph --><\/p>\n<p><!-- \/wp:paragraph --><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-2643cc4 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"2643cc4\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-0a979c5\" data-id=\"0a979c5\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-39ca8f4 elementor-widget elementor-widget-html\" data-id=\"39ca8f4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\r\n<div class=\"tabela-neabi-container\">\r\n  <table class=\"tabela-neabi\">\r\n    <thead>\r\n      <tr>\r\n        <th style=\"width: 45%\">T\u00edtulo<\/th>\r\n        <th style=\"width: 30%\">Autor<\/th>\r\n        <th style=\"width: 25%\">Editora<\/th>\r\n      <\/tr>\r\n    <\/thead>\r\n    <tbody>\r\n      <tr>\r\n        <td><strong>A d\u00edvida impag\u00e1vel: Uma cr\u00edtica feminista, racial e anticolonial do capitalismo<\/strong><\/td>\r\n        <td>Denise Ferreira da Silva et al.<\/td>\r\n        <td>Zahar<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>A Faithful Account of the Race: African American Historical Writing in Nineteenth-Century America<\/strong><\/td>\r\n        <td>Stephen G. Hall<\/td>\r\n        <td>The University of North Carolina Press<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>A fonte da autoestima: ensaios, discursos e reflex\u00f5es<\/strong><\/td>\r\n        <td>Toni Morrison<\/td>\r\n        <td>Companhia das Letras<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>A Produ\u00e7\u00e3o do Espa\u00e7o Urbano: Agentes e Processos, Escalas e Desafios<\/strong><\/td>\r\n        <td>Carlos, Ana Fani A. ; Souza, Marcelo Lopes de; Sposito, Maria Encarna\u00e7\u00e3o B.<\/td>\r\n        <td>Editora Contexto<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>A Volta Inversa na \u00c1rvore do Esquecimento e nas Pr\u00e1ticas de Branqueamento: Pr\u00e1ticas Pedag\u00f3gicas Escolares em Hist\u00f3ria e Cultura Afro-brasileira<\/strong><\/td>\r\n        <td>Silva, Claudilene Maria da<\/td>\r\n        <td>CRV<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>\u00c1frica no Brasil: A Forma\u00e7\u00e3o da L\u00edngua Portuguesa<\/strong><\/td>\r\n        <td>Fiorin, Jos\u00e9 Luiz; Petter, Margarida<\/td>\r\n        <td>Contexto<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>\u00c1gua de Barrela<\/strong><\/td>\r\n        <td>Eliana Alves Cruz<\/td>\r\n        <td>Mal\u00ea<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>\u00c1gua Funda<\/strong><\/td>\r\n        <td>Ruth Guimar\u00e3es<\/td>\r\n        <td>Editora 34<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Amada<\/strong><\/td>\r\n        <td>Toni Morrison<\/td>\r\n        <td>Companhia das Letras<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Americanah<\/strong><\/td>\r\n        <td>Chimamanda Ngozi Adichie<\/td>\r\n        <td>Companhia das Letras<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Amoras<\/strong><\/td>\r\n        <td>Emicida<\/td>\r\n        <td>Companhia das Letrinhas<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Angola Janga. Uma hist\u00f3ria de palmares<\/strong><\/td>\r\n        <td>Marcelo d' Salete<\/td>\r\n        <td>Veneta<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Arte dos mundos negros: hist\u00f3ria, teoria, cr\u00edtica<\/strong><\/td>\r\n        <td>Lafont, Anne<\/td>\r\n        <td>Bazar do Tempo<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>As Andorinhas<\/strong><\/td>\r\n        <td>Paulina Chiziane<\/td>\r\n        <td>Nandyala<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Autores Negros: 7 Melhores Contos<\/strong><\/td>\r\n        <td>Luiz Gama, Gon\u00e7alves Dias, August Nemo, Paula Brito, Auta de Souza<\/td>\r\n        <td>Tacet Books<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Avesso da Pele<\/strong><\/td>\r\n        <td>Jeferson Ten\u00f3rio<\/td>\r\n        <td>Companhia das Letras<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Becos da Mem\u00f3ria<\/strong><\/td>\r\n        <td>Concei\u00e7\u00e3o Evaristo<\/td>\r\n        <td>Pallas<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Beyond Blackface: African Americans and the Creation of American Popular Culture, 1890-1930 (H. Eugene and Lillian Youngs Lehman Series)<\/strong><\/td>\r\n        <td>W. Fitzhugh Brundage<\/td>\r\n        <td>The University of North Carolina Press<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Black Archives: A Photographic Celebration of Black Life<\/strong><\/td>\r\n        <td>Renata Cherlise<\/td>\r\n        <td>Tem Speed Press<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>BRASIL: AS RAIZES DO PROTESTO NEGRO<\/strong><\/td>\r\n        <td>Clovis Moura<\/td>\r\n        <td>Editora Dandara<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Brasil: Uma Biografia: Com Novo P\u00f3s-Escrito<\/strong><\/td>\r\n        <td>Lilia Moritz Schwarcz<\/td>\r\n        <td>Companhia das Letras<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Candombl\u00e9 da Bahia: Resist\u00eancia e Identidade de Um Povo de F\u00e9<\/strong><\/td>\r\n        <td>Barreto, Jos\u00e9 de Jesus<\/td>\r\n        <td>Solisluna Editora<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Can\u00e7\u00e3o Para Ninar Menino Grande<\/strong><\/td>\r\n        <td>Concei\u00e7\u00e3o Evaristo<\/td>\r\n        <td>Pallas<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Cartas Para Minha Av\u00f3<\/strong><\/td>\r\n        <td>Djamila Ribeiro<\/td>\r\n        <td>Companhia das Letras<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Casa de Alvenaria Volume 1<\/strong><\/td>\r\n        <td>Carolina Maria de Jesus<\/td>\r\n        <td>Companhia das Letras<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Casa de Alvenaria Volume 2<\/strong><\/td>\r\n        <td>Carolina Maria de Jesus<\/td>\r\n        <td>Companhia das Letras<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Changing the Face of Engineering: The African American Experience<\/strong><\/td>\r\n        <td>John Brooks Slaughter (Editor), Yu Tao (Editor)<\/td>\r\n        <td>Johns Hopkins University Press<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Cidade Contempor\u00e2nea: Segrega\u00e7\u00e3o Espacial<\/strong><\/td>\r\n        <td>Vasconcelos, Pedro de Almeida; Corr\u00eaa, Roberto Lobato; Pintaudi, Silvana<\/td>\r\n        <td>Editora Contexto<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Cinquenta Tons de Racismo: Mesti\u00e7agem e Polariza\u00e7\u00e3o Racial no Brasil<\/strong><\/td>\r\n        <td>Jana\u00edna Bastos<\/td>\r\n        <td>Matrix<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Colloquial Yoruba: The Complete Course for Beginners<\/strong><\/td>\r\n        <td>Antonia Yetunde Folarin Schleicher<\/td>\r\n        <td>Routledge<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Como Ser Um Educador Antirracista: Para Familiares e Professores<\/strong><\/td>\r\n        <td>B\u00e1rbara Carine Soares Pinheiro<\/td>\r\n        <td>Planeta<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Contornos do (in)vis\u00edvel: racismo e est\u00e9tica na pintura brasileira (1850-1490)<\/strong><\/td>\r\n        <td>Tatiana Lotierzo<\/td>\r\n        <td>Edusp<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Contos \u00edndios<\/strong><\/td>\r\n        <td>Ruth Guimar\u00e3es<\/td>\r\n        <td>Faro<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Contos negros<\/strong><\/td>\r\n        <td>Ruth Guimar\u00e3es<\/td>\r\n        <td>Faro<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Contribui\u00e7\u00f5es da Psicologia Social Para o Entendimento do Racismo Brasileiro<\/strong><\/td>\r\n        <td>Marcus Eug\u00eanio Oliveira Lima<\/td>\r\n        <td>Blucher<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Cor do Inconsciente: Significa\u00e7\u00f5es do Corpo Negro<\/strong><\/td>\r\n        <td>Isildinha Baptista Nogueira<\/td>\r\n        <td>Perspectiva<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Crime (1877\u20131879): Obras Completas de Luiz Gama<\/strong><\/td>\r\n        <td>Luiz Gama<\/td>\r\n        <td>Hedra<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Decolonialidade: pontos e contrapontos na Educa\u00e7\u00e3o Lingu\u00edstica Cr\u00edtica<\/strong><\/td>\r\n        <td>Grassinete C. de Albuquerque Oliveira<\/td>\r\n        <td>Pontes Editores<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Defeito de Cor<\/strong><\/td>\r\n        <td>Ana Maria Gon\u00e7alves<\/td>\r\n        <td>Record<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Democracia (1866\u20131869): Obras Completas de Luiz Gama<\/strong><\/td>\r\n        <td>Luiz Gama<\/td>\r\n        <td>Hedra<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Dial\u00e9tica Radical do Brasil Negro<\/strong><\/td>\r\n        <td>Clovis Moura<\/td>\r\n        <td>Anita Garibaldi<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Dicion\u00e1rio da Escravid\u00e3o e Liberdade<\/strong><\/td>\r\n        <td>Gomes, Fl\u00e1vio dos Santos; Schwarcz, Lilia Moritz<\/td>\r\n        <td>Companhia das Letras<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Dicion\u00e1rio da Escravid\u00e3o Negra no Brasil<\/strong><\/td>\r\n        <td>Clovis Moura<\/td>\r\n        <td>Edusp<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Dicion\u00e1rio das Rela\u00e7\u00f5es \u00c9tnico-Raciais Contempor\u00e2neas<\/strong><\/td>\r\n        <td>Fl\u00e1rio Rios, Alex Ratts, M\u00e1rico dos Santos<\/td>\r\n        <td>Perspectiva<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Dicion\u00e1rio Yorub\u00e1-Portugu\u00eas<\/strong><\/td>\r\n        <td>Beniste, Jos\u00e9<\/td>\r\n        <td>Editora Bertrand Brasil<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Direito (1870\u20131875): Obras Completas de Luiz Gama<\/strong><\/td>\r\n        <td>Luiz Gama<\/td>\r\n        <td>Hedra<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Discurso Sobre o Colonialismo<\/strong><\/td>\r\n        <td>C\u00e9saire, Aim\u00e9<\/td>\r\n        <td>Veneta<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Dispositivo de Racialidade: A Constru\u00e7\u00e3o do Outro Como N\u00e3o Ser Como Fundamento do Ser<\/strong><\/td>\r\n        <td>Sueli Carneiro<\/td>\r\n        <td>Companhia das Letras<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Do Sil\u00eancio do Lar ao Sil\u00eancio Escolar: Racismo, Preconceito e Discrimina\u00e7\u00e3o na Educa\u00e7\u00e3o Infantil<\/strong><\/td>\r\n        <td>Eliane Cavalleiro<\/td>\r\n        <td>Contexto<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Educa\u00e7\u00e3o e Africanidade: Propostas Pr\u00e1ticas e Did\u00e1ticas Para a Forma\u00e7\u00e3o de Professores Sobre a Lei 10.639\/2003<\/strong><\/td>\r\n        <td>Oliveira, Alexsandra Flavia Bezerra de; Nunes, C\u00edcera; Cunha Junior, Henrique; Domingos, Reginaldo Ferreira<\/td>\r\n        <td>Editora CRV<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Enciclop\u00e9dia Negra: Biografias Afro-brasileiras<\/strong><\/td>\r\n        <td>Gomes, Fl\u00e1vio dos Santos; Lauriano, Jaime; Schwarcz, Lilia Moritz<\/td>\r\n        <td>Companhia das Letras<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Ensinando comunidade: uma pedagogia da esperan\u00e7a<\/strong><\/td>\r\n        <td>Bell Hooks<\/td>\r\n        <td>Elefante<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Ensinar Hist\u00f3ria Afro-brasileira e Ind\u00edgena no S\u00e9culo XXI: A Diversidade em Debate<\/strong><\/td>\r\n        <td>Osvaldo Mariotto Cerezer<\/td>\r\n        <td>Appris<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Ensino de Hist\u00f3ria e Culturas Afro-brasileiras e Ind\u00edgenas<\/strong><\/td>\r\n        <td>Pereira, Amilcar Araujo; Monteiro, Ana Maria (Org.)<\/td>\r\n        <td>Pallas Editora<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Escravid\u00e3o - Volume 2: Da corrida do ouro em Minas Gerais at\u00e9 a chegada da corte de dom Jo\u00e3o ao Brasil<\/strong><\/td>\r\n        <td>Gomes, Laurentino<\/td>\r\n        <td>Globo Livros<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Escravid\u00e3o - Volume 3: Da Independ\u00eancia do Brasil \u00e0 Lei \u00c1urea<\/strong><\/td>\r\n        <td>Gomes, Laurentino<\/td>\r\n        <td>Globo Livros<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Escravid\u00e3o: Volume 1: do primeiro leil\u00e3o de cativos em Portugal at\u00e9 a morte de Zumbi dos Palmares<\/strong><\/td>\r\n        <td>Gomes, Laurentino<\/td>\r\n        <td>Globo Livros<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Espa\u00e7os de Esperan\u00e7a<\/strong><\/td>\r\n        <td>Harvey, David<\/td>\r\n        <td>Edi\u00e7\u00f5es Loyola<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Espet\u00e1culo das Ra\u00e7as<\/strong><\/td>\r\n        <td>Lilia Moritz Schwarcz<\/td>\r\n        <td>Companhia das Letras<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Exu: Um Deus Afro-atl\u00e2ntico no Brasil<\/strong><\/td>\r\n        <td>Vagner Gon\u00e7alves da Silva<\/td>\r\n        <td>EDUSP<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Filosofias africanas, uma introdu\u00e7\u00e3o<\/strong><\/td>\r\n        <td>Nei Lopes, Luiz Ant\u00f4nio Simas<\/td>\r\n        <td>Civiliza\u00e7\u00e3o Brasileira<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Fogo no Mato: A Ci\u00eancia Encantada das Macumbas<\/strong><\/td>\r\n        <td>Rufino, Luiz; Simas, Luiz Antonio<\/td>\r\n        <td>M\u00f3rula<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Frantz Fanon<\/strong><\/td>\r\n        <td>Ciriez, Fr\u00e9d\u00e9ric; Lamy, Romain<\/td>\r\n        <td>Veneta<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Freedom Dreams: The Black Radical Imagination<\/strong><\/td>\r\n        <td>Robin D.G. Kelley (Author), Aja Monet (Foreword)<\/td>\r\n        <td>Beacon Press<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Futuro Ancestral<\/strong><\/td>\r\n        <td>Ailton Krenak<\/td>\r\n        <td>Companhia das Letras<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Genoc\u00eddio do Negro Brasileiro: Processo de Um Racismo Mascarado<\/strong><\/td>\r\n        <td>Abdias Nascimento<\/td>\r\n        <td>Perspectiva<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Giovanni's room<\/strong><\/td>\r\n        <td>James Baldwin<\/td>\r\n        <td>Grupo Penguin Random House<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Hibisco Roxo<\/strong><\/td>\r\n        <td>Chimamanda Ngozi Adichie<\/td>\r\n        <td>Companhia das Letras<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>HIST\u00d3RIA DO NEGRO BRASILEIRO<\/strong><\/td>\r\n        <td>Clovis Moura<\/td>\r\n        <td>Editora Dandara<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Hist\u00f3rias de leves enganos e parecen\u00e7as<\/strong><\/td>\r\n        <td>Concei\u00e7\u00e3o Evaristo<\/td>\r\n        <td>Mal\u00ea<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Ideias Para Adiar o Fim do Mundo<\/strong><\/td>\r\n        <td>Ailton Krenak<\/td>\r\n        <td>Companhia das Letras<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Introdu\u00e7\u00e3o \u00e0 Lingu\u00edstica Africana<\/strong><\/td>\r\n        <td>Petter, Margarida<\/td>\r\n        <td>Contexto<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>J\u00e9 K`\u00c1 Ka Yor\u00f9b\u00e1: An Intermediate Course<\/strong><\/td>\r\n        <td>Antonia Y\u00e9t\u00fand\u00e9 Fol\u00e1r\u00ecn Schleicher<\/td>\r\n        <td>Yale University Press<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>L'Afrique et le monde : histoires renou\u00e9es<\/strong><\/td>\r\n        <td>Fran\u00e7ois-Xavier Fauvelle-Aymar, Anne Lafont<\/td>\r\n        <td>La D\u00e9couverte<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>L'\u00e9gyptien pharaonique: une langue n\u00e9gro-africaine<\/strong><\/td>\r\n        <td>OBENGA Th\u00e9ophile<\/td>\r\n        <td>Pr\u00e9sence Africaine<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Le Manifeste afro-d\u00e9colonial<\/strong><\/td>\r\n        <td>Norman Ajari<\/td>\r\n        <td>Seuil<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Les \u00e9pines de la vie. Roman<\/strong><\/td>\r\n        <td>Safi\u00e9tou Ndiaye safietou<\/td>\r\n        <td>L'Harmattan<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Letramentos de Reexist\u00eancia: Poesia, Grafite, M\u00fasica, Dan\u00e7a: Hip-hop<\/strong><\/td>\r\n        <td>Souza, Ana L\u00facia Silva<\/td>\r\n        <td>Par\u00e1bola Editorial<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Liberdade (1880-1882). Obras completas de Luiz Gama.<\/strong><\/td>\r\n        <td>Luiz Gama<\/td>\r\n        <td>Hedra<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Luiz Gama contra o Imperio: a luta pelo Direito no Brasil da Escravid\u00e3o<\/strong><\/td>\r\n        <td>Bruno Rodrigues de Lima<\/td>\r\n        <td>Contracorrente<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Macab\u00e9a Flor de Mulungu<\/strong><\/td>\r\n        <td>Concei\u00e7\u00e3o Evaristo<\/td>\r\n        <td>Oficina Raquel<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Measuring time: a novel<\/strong><\/td>\r\n        <td>Helon Habila<\/td>\r\n        <td>W. W. Norton &amp; Company<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Mem\u00f3rias da Planta\u00e7\u00e3o: Epis\u00f3dios de Racismo Cotidiano<\/strong><\/td>\r\n        <td>Kilomba, Grada<\/td>\r\n        <td>Cobog\u00f3<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Mother to mother<\/strong><\/td>\r\n        <td>Sindiwe Magona<\/td>\r\n        <td>Beacon Press<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Mukanda Tiodora<\/strong><\/td>\r\n        <td>Marcelo D\u2019Salete<\/td>\r\n        <td>Veneta<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Mulheres, Ra\u00e7a e Classe<\/strong><\/td>\r\n        <td>Davis, Angela<\/td>\r\n        <td>Boitempo<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Mythes et r\u00e9alit\u00e9s de l'identit\u00e9 culturelle africaine<\/strong><\/td>\r\n        <td>Andr\u00e9-Julien Mbem<\/td>\r\n        <td>Editions L'Harmattan<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>N\u00e3o Somos Como Eles<\/strong><\/td>\r\n        <td>Pride, Christine; Piazza, Jo<\/td>\r\n        <td>Companhia Editora Nacional<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>N\u00e3o Trocaria Minha Jornada Por Nada<\/strong><\/td>\r\n        <td>Angelou, Maya<\/td>\r\n        <td>Nova Fronteira<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Negritude: Usos e Sentidos<\/strong><\/td>\r\n        <td>Munanga, Kabengele<\/td>\r\n        <td>Aut\u00eantica Editora<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Nigeria Jones<\/strong><\/td>\r\n        <td>Zoboi, Ibi<\/td>\r\n        <td>Harpper Collins<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Nos limites da Lei. A escravid\u00e3o contempor\u00e2nea no interior de S\u00e3o Paulo (1191-2010).<\/strong><\/td>\r\n        <td>Nauber Gavski da Silva.<\/td>\r\n        <td>Coedi\u00e7\u00e3o EDUSP<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Notas de Hist\u00f3ria e Cultura Afro-brasileiras<\/strong><\/td>\r\n        <td>Costa, Hilton; Silva, Paulo Vin\u00edcius Baptista da<\/td>\r\n        <td>Ed. da UEPG<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Notas de Um Filho Nativo<\/strong><\/td>\r\n        <td>Baldwin, James<\/td>\r\n        <td>Companhia das Letras<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Novo Dicion\u00e1rio Banto do Brasil<\/strong><\/td>\r\n        <td>Lopes, Nei<\/td>\r\n        <td>Pallas Editora<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>O desejo dos outros: uma etnografia dos sonhos Yanomami<\/strong><\/td>\r\n        <td>Hanna Limulja<\/td>\r\n        <td>Ubu<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>O Feminismo \u00e9 Para Todo Mundo: Policies Arrebatadoras<\/strong><\/td>\r\n        <td>Hooks, Bell<\/td>\r\n        <td>Rosa dos Tempos<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>O Genoc\u00eddio Negro Brasileiro<\/strong><\/td>\r\n        <td>Abdias Nascimento<\/td>\r\n        <td>Perspectiva<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>O Movimento Negro Educador: Saberes Constru\u00eddos nas Lutas Por Emancipa\u00e7\u00e3o<\/strong><\/td>\r\n        <td>Gomes, Nilma Lino<\/td>\r\n        <td>Vozes<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>O Negro no Mundo dos Brancos<\/strong><\/td>\r\n        <td>Florestan Fernandes<\/td>\r\n        <td>Global Editora<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>O Negro Visto Por Ele Mesmo: Ensaios, Entrevistas e Prosa<\/strong><\/td>\r\n        <td>Beatriz Nascimento<\/td>\r\n        <td>Ubu<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>O Princ\u00edpio Responsabilidade: Ensaio de Uma \u00c9tica Para a Civiliza\u00e7\u00e3o Tecnol\u00f3gica<\/strong><\/td>\r\n        <td>Jonas, Hans<\/td>\r\n        <td>Contraponto Editora<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>O Que N\u00e3o Te Contaram Sobre o Movimento Antirracista<\/strong><\/td>\r\n        <td>Silva, Patricia; Freitas, Geisiane<\/td>\r\n        <td>Avis Rara<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>O racismo e o negro no Brasil: quest\u00f5es para a psican\u00e1lise<\/strong><\/td>\r\n        <td>Noemi Moritz Kon, Maria L\u00facia da Silva, Cristiane Curi Abud<\/td>\r\n        <td>Perspectiva<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>O Silenciamento da Cultura Africana, Afro-brasileira e Ind\u00edgena no Livro Did\u00e1tico de Hist\u00f3ria<\/strong><\/td>\r\n        <td>Castanheira, C\u00e1ssio Silva<\/td>\r\n        <td>Paco<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Of black study<\/strong><\/td>\r\n        <td>Joshua Myers<\/td>\r\n        <td>Pluto Press<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Oil on Water<\/strong><\/td>\r\n        <td>Helon Habila<\/td>\r\n        <td>Penguin Books<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Olhares Negros: Ra\u00e7a e Representa\u00e7\u00e3o<\/strong><\/td>\r\n        <td>Hooks, Bell<\/td>\r\n        <td>Editora Elefante<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Olhos D'\u00e1gua<\/strong><\/td>\r\n        <td>Evaristo, Concei\u00e7\u00e3o<\/td>\r\n        <td>Pallas, Biblioteca Nacional<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>OS QUILOMBOS E A REBELI\u00c3O NEGRA<\/strong><\/td>\r\n        <td>Clovis Moura<\/td>\r\n        <td>Editora Dandara<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Os Donos do Poder: Forma\u00e7\u00e3o do Patronato Pol\u00edtico<\/strong><\/td>\r\n        <td>Raymundo Faoro<\/td>\r\n        <td>Companhia das Letras<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Outra Educa\u00e7\u00e3o \u00e9 Poss\u00edvel: Feminismo, Antirracismo e Inclus\u00e3o em Sala de Aula<\/strong><\/td>\r\n        <td>Tolentino, Luana<\/td>\r\n        <td>Mazza Edi\u00e7\u00f5es<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Pacto da Branquitude<\/strong><\/td>\r\n        <td>Bento, Cida<\/td>\r\n        <td>Companhia das Letras<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Para Educar Crian\u00e7as Feministas<\/strong><\/td>\r\n        <td>Adichie, Chimamanda Ngozi<\/td>\r\n        <td>Companhia das Letras<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Para Entender a Crise Urbana<\/strong><\/td>\r\n        <td>Maricato, Erm\u00ednia<\/td>\r\n        <td>Editora Express\u00e3o Popular<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Pardos: A Vis\u00e3o das Pessoas Pardas Pelo Estado Brasileiro<\/strong><\/td>\r\n        <td>Santos, Denis Moura dos<\/td>\r\n        <td>Appris<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Pedagogia da Circularidade: Ensinagens de Terreiro<\/strong><\/td>\r\n        <td>Ferreira, T\u00e1ssio<\/td>\r\n        <td>Telha<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Pedagogia das Encruzilhadas<\/strong><\/td>\r\n        <td>Rufino, Luiz<\/td>\r\n        <td>M\u00f3rula<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Pequeno Manual Antirracista<\/strong><\/td>\r\n        <td>Ribeiro, Djamila<\/td>\r\n        <td>Companhia das Letras<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Perigo de Uma Hist\u00f3ria \u00danica<\/strong><\/td>\r\n        <td>Adichie, Chimamanda Ngozi<\/td>\r\n        <td>Companhia das Letras<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Picture Freedom: Remaking Black Visuality in the Early Nineteenth Century (America and the Long 19th Century, 20)<\/strong><\/td>\r\n        <td>Jasmine Nichole Cobb<\/td>\r\n        <td>NYU Press<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Poemas da Recorda\u00e7\u00e3o e Outros Movimentos<\/strong><\/td>\r\n        <td>Evaristo, Concei\u00e7\u00e3o<\/td>\r\n        <td>Editora Mal\u00ea<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Ponci\u00e1 Vic\u00eancio<\/strong><\/td>\r\n        <td>Concei\u00e7\u00e3o Evaristo<\/td>\r\n        <td>Pallas<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Ponta-cabe\u00e7a: Educa\u00e7\u00e3o, Jogo de Corpo e Outras Mandingas<\/strong><\/td>\r\n        <td>Rufino, Luiz<\/td>\r\n        <td>M\u00f3rula<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Popula\u00e7\u00e3o Negra, Escravismo e Educa\u00e7\u00e3o no Brasil [on-line]<\/strong><\/td>\r\n        <td>Nogueira, Vera L\u00facia (Org.)<\/td>\r\n        <td>Mazza Edi\u00e7\u00f5es<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Por Um Feminismo Afro-latino-americano<\/strong><\/td>\r\n        <td>Gonzalez, L\u00e9lia<\/td>\r\n        <td>Zahar<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Preconceito: Uma Hist\u00f3ria<\/strong><\/td>\r\n        <td>Karnal, Leandro; Fernandes,<\/td>\r\n        <td>Companhia das Letras<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Preto: hist\u00f3ria de uma cor<\/strong><\/td>\r\n        <td>Michel Pastoureau<\/td>\r\n        <td>Editora Senac SP \/Imprensa Oficial<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Primeiras trovas burlescas de Getulino<\/strong><\/td>\r\n        <td>Luiz Gama<\/td>\r\n        <td>Martins Fontes<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Quarto de Despejo: Di\u00e1rio de Uma Favelada<\/strong><\/td>\r\n        <td>Carolina Maria de Jesus<\/td>\r\n        <td>\u00c1tica<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Queda do C\u00e9u<\/strong><\/td>\r\n        <td>Kopenawa, Davi<\/td>\r\n        <td>Companhia das Letras<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Quem Tem Medo do Feminismo Negro?<\/strong><\/td>\r\n        <td>Ribeiro, Djamila<\/td>\r\n        <td>Companhia das Letras<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Querido Estudante Negro<\/strong><\/td>\r\n        <td>Pinheiro, B\u00e1rbara Carine Soares<\/td>\r\n        <td>Planeta<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Racismo Algor\u00edtmico: Intelig\u00eancia Artificial e Discrimina\u00e7\u00e3o das Redes Digitais<\/strong><\/td>\r\n        <td>Tarc\u00edzio Silva<\/td>\r\n        <td>Edi\u00e7\u00f5es SESC<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Racismo Brasileiro: Uma Hist\u00f3ria da Forma\u00e7\u00e3o do Pa\u00eds<\/strong><\/td>\r\n        <td>Santos, Yna\u00ea Lopes dos<\/td>\r\n        <td>Todavia<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Racismo e Antirracismo na Educa\u00e7\u00e3o: Repensando Nossa Escola<\/strong><\/td>\r\n        <td>Cavalleiro, Eliane<\/td>\r\n        <td>Selo Negro<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Racismo e discurso na Am\u00e9rica Latina<\/strong><\/td>\r\n        <td>Teun A. van Dijk<\/td>\r\n        <td>Contexto<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Racismo sem racistas: O racismo da cegueira de cor e a persistence da desigualdade na Am\u00e9rica<\/strong><\/td>\r\n        <td>Eduardo Bonilla-Silva<\/td>\r\n        <td>Perspectiva<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Racismo Woke<\/strong><\/td>\r\n        <td>McWorther, John<\/td>\r\n        <td>Avis Rara<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Racismo, Sexismo e Desigualdade no Brasil<\/strong><\/td>\r\n        <td>Carneiro, Sueli<\/td>\r\n        <td>Selo Negro<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Racismos: Das Cruzadas ao s\u00e9culo XX<\/strong><\/td>\r\n        <td>Bethencourt, Francisco<\/td>\r\n        <td>Companhia das Letras<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Revoltas Escravas no Brasil<\/strong><\/td>\r\n        <td>Reis, Jo\u00e3o Jos\u00e9; Gomes, Fl\u00e1vio Santos<\/td>\r\n        <td>Companhia das Letras<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Saberes das Lutas do Movimento Negro Educador<\/strong><\/td>\r\n        <td>Gomes, Nilma Lino (Org.)<\/td>\r\n        <td>Vozes<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Sair da grande noite: Ensaio sobre a \u00c1frica descolonizada<\/strong><\/td>\r\n        <td>Achille Mbembe<\/td>\r\n        <td>Vozes<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>S\u00e9culo de Favela<\/strong><\/td>\r\n        <td>Zaluar, Alba Maria; Souza, Marcos Alvito Pereira de<\/td>\r\n        <td>Editora FGV<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Sejamos Todos Feministas<\/strong><\/td>\r\n        <td>Adichie, Chimamanda Ngozi<\/td>\r\n        <td>Companhia das Letras<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Sobre o Autoritarismo Brasileiro<\/strong><\/td>\r\n        <td>Schwarcz, Lilia Moritz<\/td>\r\n        <td>Companhia das Letras<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Teoria Feminista: Da Margem ao Centro<\/strong><\/td>\r\n        <td>Hooks, Bell<\/td>\r\n        <td>Perspectiva<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Terra D\u00e1, A Terra Quer<\/strong><\/td>\r\n        <td>Santos, Ant\u00f4nio Bispo dos<\/td>\r\n        <td>Ubu<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Terreiro e a Cidade: A Forma Social Negro-brasileira<\/strong><\/td>\r\n        <td>Sodr\u00e9, Muniz<\/td>\r\n        <td>Editora MAUAD X<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>The Fishermen: A Novel<\/strong><\/td>\r\n        <td>Chigozie Obioma<\/td>\r\n        <td>Back Bay Books<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>The granta book of the African short story<\/strong><\/td>\r\n        <td>Helon Habila<\/td>\r\n        <td>Granta Books<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>The History of Black Studies<\/strong><\/td>\r\n        <td>Abdul Alkalimat<\/td>\r\n        <td>Pluto Press<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>The Norton Anthology of African American Literature (Third Edition) (Vol. Vol 1 + Vol 2)<\/strong><\/td>\r\n        <td>Henry Louis Gates Jr. (Editor), Valerie Smith (Editor)<\/td>\r\n        <td>W. W. Norton &amp; Company<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Tornar-se Negro ou As Vicissitudes da Identidade do Negro Brasileiro em Ascens\u00e3o Social<\/strong><\/td>\r\n        <td>Neusa Santos Souza<\/td>\r\n        <td>Zahar<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Uma Nova hist\u00f3ria, feita de hist\u00f3rias: personalidades negras invisibilizadas da hist\u00f3ria do Brasil<\/strong><\/td>\r\n        <td>Ribeiro, Djamila; Almeida, Lizandra Magon de<\/td>\r\n        <td>Janda\u00edra<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Vamos Falar de Racismo: 100 Perguntas Para Discutir Preconceito e Gerar Conscientiza\u00e7\u00e3o<\/strong><\/td>\r\n        <td>Loras, Alexandra; Oliveira, Maur\u00edcio<\/td>\r\n        <td>Matrix<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Vida N\u00e3o \u00c9 \u00datil<\/strong><\/td>\r\n        <td>Krenak, Ailton<\/td>\r\n        <td>Companhia das Letras<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>What Do Science, Technology, and Innovation Mean from Africa?<\/strong><\/td>\r\n        <td>Clapperton Chakanets Mavhunga<\/td>\r\n        <td>The MIT Press<\/td>\r\n      <\/tr>\r\n      <tr>\r\n        <td><strong>Yoruba-English\/ English-Yoruba Dictionary &amp; Phrasebook<\/strong><\/td>\r\n        <td>Aquilina Mawadza (Series Editor), Clement Odoje<\/td>\r\n        <td>Hippocrene Books<\/td>\r\n      <\/tr>\r\n    <\/tbody>\r\n  <\/table>\r\n<\/div>\r\n\r\n<div id=\"paginacao-tabela\" style=\"display: flex;justify-content: center;align-items: center;margin-top: 20px;gap: 15px;font-family: sans-serif\">\r\n    <button style=\"padding: 10px 20px;background-color: #f1f5f9;border: 1px solid #cbd5e1;border-radius: 5px;cursor: pointer;color: #334155;font-weight: bold\">Anterior<\/button>\r\n    <span id=\"pagina-atual\" style=\"color: #475569;font-weight: bold\">P\u00e1gina 1<\/span>\r\n    <button style=\"padding: 10px 20px;background-color: #f1f5f9;border: 1px solid #cbd5e1;border-radius: 5px;cursor: pointer;color: #334155;font-weight: bold\">Pr\u00f3xima<\/button>\r\n<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Ana Carolina Moura Melo Dartora, mais conhecida como Carol Dartora, \u00e9 professora, historiadora e uma figura pioneira na pol\u00edtica paranaense.<\/p>\n","protected":false},"author":437,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","footnotes":""},"class_list":["post-1889","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/utfpr.curitiba.br\/neabi\/wp-json\/wp\/v2\/pages\/1889","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/utfpr.curitiba.br\/neabi\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/utfpr.curitiba.br\/neabi\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/neabi\/wp-json\/wp\/v2\/users\/437"}],"replies":[{"embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/neabi\/wp-json\/wp\/v2\/comments?post=1889"}],"version-history":[{"count":24,"href":"https:\/\/utfpr.curitiba.br\/neabi\/wp-json\/wp\/v2\/pages\/1889\/revisions"}],"predecessor-version":[{"id":3548,"href":"https:\/\/utfpr.curitiba.br\/neabi\/wp-json\/wp\/v2\/pages\/1889\/revisions\/3548"}],"wp:attachment":[{"href":"https:\/\/utfpr.curitiba.br\/neabi\/wp-json\/wp\/v2\/media?parent=1889"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}