{"id":951,"date":"2021-06-14T09:00:00","date_gmt":"2021-06-14T12:00:00","guid":{"rendered":"https:\/\/bibliotecadesigncenico.ct.utfpr.edu.br\/?p=951"},"modified":"2021-06-10T19:02:40","modified_gmt":"2021-06-10T22:02:40","slug":"o-espectador-modelo-para-o-diretor-de-arte-no-filme-o-labirinto-do-fauno","status":"publish","type":"post","link":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/?p=951","title":{"rendered":"O espectador modelo para o diretor de arte no filme \u201cO labirinto do fauno\u201d"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"951\" class=\"elementor elementor-951\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-d4f1e7d elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"d4f1e7d\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-f21b239\" data-id=\"f21b239\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-eb89559 elementor-widget elementor-widget-text-editor\" data-id=\"eb89559\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;GENARI, Giuliana. O espectador modelo para o diretor de arte no filme \u201cO labirinto do fauno\u201d. Trabalho de Conclus\u00e3o de Curso (Especializa\u00e7\u00e3o em Cenografia) - UTFPR, 2018.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:7073,&quot;3&quot;:{&quot;1&quot;:0},&quot;8&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;10&quot;:2,&quot;11&quot;:0,&quot;12&quot;:0,&quot;14&quot;:[null,2,2575891],&quot;15&quot;:&quot;Arial&quot;}\">GENARI, Giuliana. <strong>O espectador modelo para o diretor de arte no filme \u201cO labirinto do fauno\u201d<\/strong>. Trabalho de Conclus\u00e3o de Curso (Especializa\u00e7\u00e3o em Cenografia) &#8211; UTFPR, 2018.<\/span><\/p><p>Palavras-chave: <span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Dire\u00e7\u00e3o de arte; Eco, Umberto, 1932-2016; Leitores - Rea\u00e7\u00e3o cr\u00edtica; Percep\u00e7\u00e3o visual.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:573,&quot;3&quot;:{&quot;1&quot;:0},&quot;5&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;6&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;7&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;8&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;12&quot;:0}\">Dire\u00e7\u00e3o de arte; Eco, Umberto, 1932-2016; Leitores &#8211; Rea\u00e7\u00e3o cr\u00edtica; Percep\u00e7\u00e3o visual.<\/span><\/p><p>Resumo: <span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Esta monografia tem como principal objetivo discutir a rela\u00e7\u00e3o entre o leitor-modelo e recep\u00e7\u00e3o art\u00edstica (liter\u00e1ria) sob a proposta te\u00f3rica de Umberto Eco, em Seis Passeios Pelo Bosque da Fic\u00e7\u00e3o (1993), transpondo esses conceitos ao universo do cinema, com o espectador-modelo e dire\u00e7\u00e3o de arte. Essa transposi\u00e7\u00e3o utilizacomo corpus de pesquisa o filme O Labirinto do Fauno (2006), de Guillermo del Toro, que premiou Eugenio Caballero com o Oscar de Melhor Diretor de Arte. Sob a \u00f3tica dos temas descritos por Eco, traduzimos para a realidade do filme e exploramos os poss\u00edveis espectadores a que Caballero apontou, direta ou indiretamente, ao criar o conceito de arte do filme.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:572,&quot;5&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;6&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;7&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;8&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;12&quot;:0}\">Esta monografia tem como principal objetivo discutir a rela\u00e7\u00e3o entre o leitor-modelo e recep\u00e7\u00e3o art\u00edstica (liter\u00e1ria) sob a proposta te\u00f3rica de Umberto Eco, em Seis Passeios Pelo Bosque da Fic\u00e7\u00e3o (1993), transpondo esses conceitos ao universo do cinema, com o espectador-modelo e dire\u00e7\u00e3o de arte. Essa transposi\u00e7\u00e3o utilizacomo corpus de pesquisa o filme O Labirinto do Fauno (2006), de Guillermo del Toro, que premiou Eugenio Caballero com o Oscar de Melhor Diretor de Arte. Sob a \u00f3tica dos temas descritos por Eco, traduzimos para a realidade do filme e exploramos os poss\u00edveis espectadores a que Caballero apontou, direta ou indiretamente, ao criar o conceito de arte do filme.<\/span><\/p><p>Link:<a href=\"http:\/\/repositorio.roca.utfpr.edu.br\/jspui\/handle\/1\/13324\"> http:\/\/repositorio.roca.utfpr.edu.br\/jspui\/handle\/1\/13324<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-26e9e27 elementor--star-style-star_fontawesome elementor-widget elementor-widget-star-rating\" data-id=\"26e9e27\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"star-rating.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-star-rating__wrapper\">\n\t\t\t\t\t\t<div class=\"elementor-star-rating\" itemtype=\"http:\/\/schema.org\/Rating\" itemscope=\"\" itemprop=\"reviewRating\">\n\t\t\t\t<i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i>\t\t\t\t<span itemprop=\"ratingValue\" class=\"elementor-screen-only\">Rated 5 out of 5<\/span>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>GENARI, Giuliana. O espectador modelo para o diretor de arte no filme \u201cO labirinto do fauno\u201d. Trabalho de Conclus\u00e3o de Curso (Especializa\u00e7\u00e3o em Cenografia) &#8211; UTFPR, 2018. Palavras-chave: Dire\u00e7\u00e3o de arte; Eco, Umberto, 1932-2016; Leitores &#8211; Rea\u00e7\u00e3o cr\u00edtica; Percep\u00e7\u00e3o visual. &hellip; <a href=\"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/?p=951\">Continue lendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-951","post","type-post","status-publish","format-standard","hentry","category-cenografia"],"_links":{"self":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/951","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=951"}],"version-history":[{"count":4,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/951\/revisions"}],"predecessor-version":[{"id":955,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/951\/revisions\/955"}],"wp:attachment":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=951"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=951"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=951"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}