{"id":946,"date":"2021-06-14T09:00:00","date_gmt":"2021-06-14T12:00:00","guid":{"rendered":"https:\/\/bibliotecadesigncenico.ct.utfpr.edu.br\/?p=946"},"modified":"2021-06-10T19:00:51","modified_gmt":"2021-06-10T22:00:51","slug":"rita-lee-figurinos-irreverencias-e-o-limiar-arte-vida","status":"publish","type":"post","link":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/?p=946","title":{"rendered":"Rita Lee: figurinos, irrever\u00eancias e o limiar arte-vida"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"946\" class=\"elementor elementor-946\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-1a297c6 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"1a297c6\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-58410f1\" data-id=\"58410f1\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-3993d0f elementor-widget elementor-widget-text-editor\" data-id=\"3993d0f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;COSTA, Fernanda Nerissa Hack. Rita Lee: figurinos, irrever\u00eancias e o limiar arte-vida. Trabalho de Conclus\u00e3o de Curso (Especializa\u00e7\u00e3o em Cenografia) - UTFPR, 2018.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:7073,&quot;3&quot;:{&quot;1&quot;:0},&quot;8&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;10&quot;:2,&quot;11&quot;:0,&quot;12&quot;:0,&quot;14&quot;:[null,2,2575891],&quot;15&quot;:&quot;Arial&quot;}\">COSTA, Fernanda Nerissa Hack. <strong>Rita Lee: figurinos, irrever\u00eancias e o limiar arte-vida<\/strong>. Trabalho de Conclus\u00e3o de Curso (Especializa\u00e7\u00e3o em Cenografia) &#8211; UTFPR, 2018.<\/span><\/p><p>Palavras-chave: <span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Lee, Rita; Cenografia; Cen\u00e1rio; Trajes.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:573,&quot;3&quot;:{&quot;1&quot;:0},&quot;5&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;6&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;7&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;8&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;12&quot;:0}\">Lee, Rita; Cenografia; Cen\u00e1rio; Trajes.<\/span><\/p><p>Resumo: <span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Essa pesquisa intenta pontuar os contextos e as diferentes estrat\u00e9gias assumidas pela cantora Rita Lee, quanto ao uso dos figurinos, nos seus shows musicais. Desde que integrou a banda Os Mutantes at\u00e9 as suas \u00faltimas apresenta\u00e7\u00f5es, esse elemento serviu como um importante aporte das discuss\u00f5es comportamentais, ou tabus, quase sempre voltadas para o universo feminino. Se a partir dos anos de 1950 torna-se comum \u00e0s bandas o uso do figurino para demarcar a separa\u00e7\u00e3o entre a personagem\/cantora e a pessoa, Lee extrapola ao torn\u00e1-lo um aux\u00edlio para a constru\u00e7\u00e3o de narrativas, possibilitando tamb\u00e9m um espa\u00e7o teatral. Por outro lado, alguns detalhes, a exemplo dos seus cortes de cabelo, passam a ser um rastro da personagem no cotidiano.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:572,&quot;5&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;6&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;7&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;8&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;12&quot;:0}\">Essa pesquisa intenta pontuar os contextos e as diferentes estrat\u00e9gias assumidas pela cantora Rita Lee, quanto ao uso dos figurinos, nos seus shows musicais. Desde que integrou a banda Os Mutantes at\u00e9 as suas \u00faltimas apresenta\u00e7\u00f5es, esse elemento serviu como um importante aporte das discuss\u00f5es comportamentais, ou tabus, quase sempre voltadas para o universo feminino. Se a partir dos anos de 1950 torna-se comum \u00e0s bandas o uso do figurino para demarcar a separa\u00e7\u00e3o entre a personagem\/cantora e a pessoa, Lee extrapola ao torn\u00e1-lo um aux\u00edlio para a constru\u00e7\u00e3o de narrativas, possibilitando tamb\u00e9m um espa\u00e7o teatral. Por outro lado, alguns detalhes, a exemplo dos seus cortes de cabelo, passam a ser um rastro da personagem no cotidiano.<\/span><\/p><p>Link: <a href=\"http:\/\/repositorio.roca.utfpr.edu.br\/jspui\/handle\/1\/13323\">http:\/\/repositorio.roca.utfpr.edu.br\/jspui\/handle\/1\/13323<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2e4a049 elementor--star-style-star_fontawesome elementor-widget elementor-widget-star-rating\" data-id=\"2e4a049\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"star-rating.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-star-rating__wrapper\">\n\t\t\t\t\t\t<div class=\"elementor-star-rating\" itemtype=\"http:\/\/schema.org\/Rating\" itemscope=\"\" itemprop=\"reviewRating\">\n\t\t\t\t<i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i>\t\t\t\t<span itemprop=\"ratingValue\" class=\"elementor-screen-only\">Rated 5 out of 5<\/span>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>COSTA, Fernanda Nerissa Hack. Rita Lee: figurinos, irrever\u00eancias e o limiar arte-vida. Trabalho de Conclus\u00e3o de Curso (Especializa\u00e7\u00e3o em Cenografia) &#8211; UTFPR, 2018. Palavras-chave: Lee, Rita; Cenografia; Cen\u00e1rio; Trajes. Resumo: Essa pesquisa intenta pontuar os contextos e as diferentes estrat\u00e9gias &hellip; <a href=\"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/?p=946\">Continue lendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-946","post","type-post","status-publish","format-standard","hentry","category-cenografia"],"_links":{"self":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/946","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=946"}],"version-history":[{"count":4,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/946\/revisions"}],"predecessor-version":[{"id":950,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/946\/revisions\/950"}],"wp:attachment":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=946"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=946"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=946"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}