{"id":917,"date":"2021-06-14T09:00:00","date_gmt":"2021-06-14T12:00:00","guid":{"rendered":"https:\/\/bibliotecadesigncenico.ct.utfpr.edu.br\/?p=917"},"modified":"2021-06-10T18:48:15","modified_gmt":"2021-06-10T21:48:15","slug":"o-espetaculo-os-palidos-e-o-espaco-nao-convencional","status":"publish","type":"post","link":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/?p=917","title":{"rendered":"O espet\u00e1culo \u201cOs P\u00e1lidos\u201d e o espa\u00e7o n\u00e3o convencional\u201d"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"917\" class=\"elementor elementor-917\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-67bae03 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"67bae03\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-da9e81b\" data-id=\"da9e81b\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-88bfc46 elementor-widget elementor-widget-text-editor\" data-id=\"88bfc46\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;TKATCH, Camila. O espet\u00e1culo \u201cOs P\u00e1lidos\u201d e o espa\u00e7o n\u00e3o convencional\u201d. Trabalho de Conclus\u00e3o de Curso (Especializa\u00e7\u00e3o em Cenografia) - UTFPR, 2016.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:7073,&quot;3&quot;:{&quot;1&quot;:0},&quot;8&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;10&quot;:2,&quot;11&quot;:0,&quot;12&quot;:0,&quot;14&quot;:[null,2,2575891],&quot;15&quot;:&quot;Arial&quot;}\">TKATCH, Camila. <strong>O espet\u00e1culo \u201cOs P\u00e1lidos\u201d e o espa\u00e7o n\u00e3o convencional\u201d<\/strong>. Trabalho de Conclus\u00e3o de Curso (Especializa\u00e7\u00e3o em Cenografia) &#8211; UTFPR, 2016.<\/span><\/p><p>Palavras-chave: <span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Surrealismo; Teatro e sociedade; Teatros - Cenografia e cen\u00e1rios.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:573,&quot;3&quot;:{&quot;1&quot;:0},&quot;5&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;6&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;7&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;8&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;12&quot;:0}\">Surrealismo; Teatro e sociedade; Teatros &#8211; Cenografia e cen\u00e1rios.<\/span><\/p><p>Resumo: <span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Este artigo se debru\u00e7a sobre o teatro contempor\u00e2neo e em particular sobre o espa\u00e7o n\u00e3o convencional. Toma como estudo de caso o espet\u00e1culo \u201cOs P\u00e1lidos\u201d, da CiaSenhas, de Curitiba, em 2015, que teve como ponto de partida o surrealismo de Luis Bu\u00f1uel. O trabalho apresenta os aspectos principais do movimento surrealista enquanto fuga dos padr\u00f5es tradicionais burgueses de sua \u00e9poca. Apresenta os aspectos principais do teatro em espa\u00e7os n\u00e3o convencionais e sua rela\u00e7\u00e3o com o p\u00fablico e com a cr\u00edtica social e pol\u00edtica contempor\u00e2nea. Analisa o espet\u00e1culo \u201cOs P\u00e1lidos\u201d e o uso do espa\u00e7o n\u00e3o convencional e da atmosfera surrealista para conviv\u00eancia com o p\u00fablico e questionamentos pol\u00edticos, sociais e est\u00e9ticos.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:572,&quot;5&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;6&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;7&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;8&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;12&quot;:0}\">Este artigo se debru\u00e7a sobre o teatro contempor\u00e2neo e em particular sobre o espa\u00e7o n\u00e3o convencional. Toma como estudo de caso o espet\u00e1culo \u201cOs P\u00e1lidos\u201d, da CiaSenhas, de Curitiba, em 2015, que teve como ponto de partida o surrealismo de Luis Bu\u00f1uel. O trabalho apresenta os aspectos principais do movimento surrealista enquanto fuga dos padr\u00f5es tradicionais burgueses de sua \u00e9poca. Apresenta os aspectos principais do teatro em espa\u00e7os n\u00e3o convencionais e sua rela\u00e7\u00e3o com o p\u00fablico e com a cr\u00edtica social e pol\u00edtica contempor\u00e2nea. Analisa o espet\u00e1culo \u201cOs P\u00e1lidos\u201d e o uso do espa\u00e7o n\u00e3o convencional e da atmosfera surrealista para conviv\u00eancia com o p\u00fablico e questionamentos pol\u00edticos, sociais e est\u00e9ticos.<\/span><\/p><p>Link:<a href=\"http:\/\/repositorio.roca.utfpr.edu.br\/jspui\/handle\/1\/13856\"> http:\/\/repositorio.roca.utfpr.edu.br\/jspui\/handle\/1\/13856<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9949ed9 elementor--star-style-star_fontawesome elementor-widget elementor-widget-star-rating\" data-id=\"9949ed9\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"star-rating.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-star-rating__wrapper\">\n\t\t\t\t\t\t<div class=\"elementor-star-rating\" itemtype=\"http:\/\/schema.org\/Rating\" itemscope=\"\" itemprop=\"reviewRating\">\n\t\t\t\t<i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i>\t\t\t\t<span itemprop=\"ratingValue\" class=\"elementor-screen-only\">Rated 5 out of 5<\/span>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>TKATCH, Camila. O espet\u00e1culo \u201cOs P\u00e1lidos\u201d e o espa\u00e7o n\u00e3o convencional\u201d. Trabalho de Conclus\u00e3o de Curso (Especializa\u00e7\u00e3o em Cenografia) &#8211; UTFPR, 2016. Palavras-chave: Surrealismo; Teatro e sociedade; Teatros &#8211; Cenografia e cen\u00e1rios. Resumo: Este artigo se debru\u00e7a sobre o teatro &hellip; <a href=\"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/?p=917\">Continue lendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-917","post","type-post","status-publish","format-standard","hentry","category-cenografia"],"_links":{"self":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/917","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=917"}],"version-history":[{"count":4,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/917\/revisions"}],"predecessor-version":[{"id":921,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/917\/revisions\/921"}],"wp:attachment":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=917"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=917"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=917"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}