{"id":836,"date":"2021-06-10T13:24:12","date_gmt":"2021-06-10T16:24:12","guid":{"rendered":"https:\/\/bibliotecadesigncenico.ct.utfpr.edu.br\/?p=836"},"modified":"2021-06-10T13:26:26","modified_gmt":"2021-06-10T16:26:26","slug":"mascaras-transformacoes-em-doroteia-de-nelson-rodrigues","status":"publish","type":"post","link":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/?p=836","title":{"rendered":"M\u00e1scaras: transforma\u00e7\u00f5es em \u201cDoroteia\u201d de Nelson Rodrigues"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"836\" class=\"elementor elementor-836\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-54991e0 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"54991e0\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-b673cb6\" data-id=\"b673cb6\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-a68a328 elementor-widget elementor-widget-text-editor\" data-id=\"a68a328\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>LOPES, Alex Cerqueira.\u00a0<strong>M\u00e1scaras: transforma\u00e7\u00f5es em \u201cDoroteia\u201d de Nelson Rodrigues.\u00a0<\/strong>Disserta\u00e7\u00e3o (Mestrado em Artes C\u00eanicas) &#8211; Universidade Federal da Bahia, 2018.<\/p><p>Palavras-chave: M\u00e1scara; M\u00e1scara &#8211; Maquiagem; Teatro \u2013 Experi\u00eancia; Teatro \u2013 Caracteriza\u00e7\u00e3o; Doroteia \u2013 Pe\u00e7a Teatral; Rodrigues, Nelson;Transforma\u00e7\u00e3o; M\u00e1scara objeto.<\/p><p>Resumo: ste trabalho trata m\u00e1scara-objeto e m\u00e1scara-maquiagem como meiode transforma\u00e7\u00e3o dos atores no espet\u00e1culo \u201cDoroteia\u201d, de Nelson Rodrigues. A disserta\u00e7\u00e3o \u00e9 constitu\u00edda a partir de experi\u00eancias com m\u00e1scaras, tanto objeto quanto maquiagem, apresentando no percurso das viv\u00eancias a solidifica\u00e7\u00e3o e base para a concep\u00e7\u00e3o e cria\u00e7\u00e3o dos elementos c\u00eanicos em quest\u00e3o. Essainvestiga\u00e7\u00e3o tem como objetivo abordar a caracteriza\u00e7\u00e3o visual dos personagens no referido espet\u00e1culo, com foco nas m\u00e1scaras supracitadas, destacando sua import\u00e2ncia fundamental para a constru\u00e7\u00e3o do personagem teatral. Posteriormente, s\u00e3o analisadas as aplicabilidades das referidas m\u00e1scaras nas cenas do espet\u00e1culo. As leituras a partir da percep\u00e7\u00e3o do espectador acontecem como consequ\u00eancia da consci\u00eancia coerente com o todo que o portador estabelece.<\/p><p>Link:\u00a0<a href=\"https:\/\/repositorio.ufba.br\/ri\/handle\/ri\/27042\">https:\/\/repositorio.ufba.br\/ri\/handle\/ri\/27042<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f1613bc elementor--star-style-star_fontawesome elementor-widget elementor-widget-star-rating\" data-id=\"f1613bc\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"star-rating.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-star-rating__wrapper\">\n\t\t\t\t\t\t<div class=\"elementor-star-rating\" itemtype=\"http:\/\/schema.org\/Rating\" itemscope=\"\" itemprop=\"reviewRating\">\n\t\t\t\t<i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i>\t\t\t\t<span itemprop=\"ratingValue\" class=\"elementor-screen-only\">Rated 5 out of 5<\/span>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>LOPES, Alex Cerqueira.\u00a0M\u00e1scaras: transforma\u00e7\u00f5es em \u201cDoroteia\u201d de Nelson Rodrigues.\u00a0Disserta\u00e7\u00e3o (Mestrado em Artes C\u00eanicas) &#8211; Universidade Federal da Bahia, 2018. Palavras-chave: M\u00e1scara; M\u00e1scara &#8211; Maquiagem; Teatro \u2013 Experi\u00eancia; Teatro \u2013 Caracteriza\u00e7\u00e3o; Doroteia \u2013 Pe\u00e7a Teatral; Rodrigues, Nelson;Transforma\u00e7\u00e3o; M\u00e1scara objeto. Resumo: ste &hellip; <a href=\"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/?p=836\">Continue lendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[288,258,285,292,289,287,286,291],"class_list":["post-836","post","type-post","status-publish","format-standard","hentry","category-teatro-de-formas-animadas","tag-doroteia-peca-teatral","tag-mascara","tag-mascara-maquiagem","tag-mascara-objeto","tag-nelson-rodrigues","tag-teatro-caracterizacao","tag-teatro-experiencia","tag-transformacao"],"_links":{"self":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/836","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=836"}],"version-history":[{"count":4,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/836\/revisions"}],"predecessor-version":[{"id":840,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/836\/revisions\/840"}],"wp:attachment":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=836"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=836"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=836"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}