{"id":795,"date":"2021-06-10T02:22:51","date_gmt":"2021-06-10T05:22:51","guid":{"rendered":"https:\/\/bibliotecadesigncenico.ct.utfpr.edu.br\/?p=795"},"modified":"2021-06-10T02:26:26","modified_gmt":"2021-06-10T05:26:26","slug":"apolo-sob-o-signo-da-devoracao-a-antropofagia-no-desenvolvimento-de-uma-pratica-cenografica","status":"publish","type":"post","link":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/?p=795","title":{"rendered":"Apolo sob o signo da devora\u00e7\u00e3o: a antropofagia no desenvolvimento de uma pr\u00e1tica cenogr\u00e1fica"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"795\" class=\"elementor elementor-795\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-8b80519 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"8b80519\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-c1c5bed\" data-id=\"c1c5bed\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-e2d9d55 elementor-widget elementor-widget-text-editor\" data-id=\"e2d9d55\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>ESTEVES, , Carolina Lyra Barros da Silva.\u00a0<strong>Apolo sob o signo da devora\u00e7\u00e3o: a antropofagia no desenvolvimento de uma pr\u00e1tica cenogr\u00e1fica.\u00a0<\/strong>Disserta\u00e7\u00e3o (Mestrado em Teatro, Especializa\u00e7\u00e3o em Cenografia) &#8211; Instituto Polit\u00e9cnico do Porto, 2014.<\/p><p>Palavras-chave: Antropofagia, Cenografia, Arquitectura, Trag\u00e9dia, Anthropophagy, Scenography, Architecture, Tragedy.<\/p><p>Resumo: O presente trabalho \u00e9 estimulado pela reflex\u00e3o sobre a similaridade que encontro na arquitetura do Teatro Oficina de S\u00e3o Paulo e os textos liter\u00e1rios de Oswald de Andrade e Fernando Pessoa. A ampla janela que Oswald prev\u00ea como cenografia para sua pe\u00e7a O Rei da Vela, texto baseado em sua proposta filos\u00f3fica de Antropofagia cultural se repete em uma janela alta, ampla e espl\u00eandida no conto Um Jantar Muito Original, quando Fernando Pessoa descreve uma sala de jantar onde um banquete antropof\u00e1gico \u00e9 servido. No projeto arquitet\u00f4nico de Lina Bo Bardi e Edson Elito para o edif\u00edcio do Teatro Oficina, companhia assumidamente \u201cantropof\u00e1gica\u201d em sua linguagem, uma ampla janela exerce, numa leitura nietzschiana, uma fun\u00e7\u00e3o \u201ctr\u00e1gica\u201d de acolhimento do devir. Esta disserta\u00e7\u00e3o busca al\u00e9m de encontrar rela\u00e7\u00f5es entre as \u201cjanelas\u201d citadas, partindo dos conceitos te\u00f3ricos de Oswald de Andrade e Friedrich Nietzsche, entender o processo de idealiza\u00e7\u00e3o do projeto e constru\u00e7\u00e3o do edif\u00edcio projetado por Lina Bo Bardi e Edson Elito para o Teatro Oficina.<\/p><p>Link:\u00a0<a href=\"https:\/\/recipp.ipp.pt\/handle\/10400.22\/8941\">https:\/\/recipp.ipp.pt\/handle\/10400.22\/8941<\/a><\/p><ol class=\"breadcrumb\">\u00a0<\/ol><p>\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f40705a elementor--star-style-star_fontawesome elementor-widget elementor-widget-star-rating\" data-id=\"f40705a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"star-rating.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-star-rating__wrapper\">\n\t\t\t\t\t\t<div class=\"elementor-star-rating\" itemtype=\"http:\/\/schema.org\/Rating\" itemscope=\"\" itemprop=\"reviewRating\">\n\t\t\t\t<i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i>\t\t\t\t<span itemprop=\"ratingValue\" class=\"elementor-screen-only\">Rated 5 out of 5<\/span>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>ESTEVES, , Carolina Lyra Barros da Silva.\u00a0Apolo sob o signo da devora\u00e7\u00e3o: a antropofagia no desenvolvimento de uma pr\u00e1tica cenogr\u00e1fica.\u00a0Disserta\u00e7\u00e3o (Mestrado em Teatro, Especializa\u00e7\u00e3o em Cenografia) &#8211; Instituto Polit\u00e9cnico do Porto, 2014. Palavras-chave: Antropofagia, Cenografia, Arquitectura, Trag\u00e9dia, Anthropophagy, Scenography, Architecture, &hellip; <a href=\"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/?p=795\">Continue lendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[253,250,255,251,20,254,252,256],"class_list":["post-795","post","type-post","status-publish","format-standard","hentry","category-cenografia","tag-anthropophagy","tag-antropofagia","tag-architecture","tag-arquitectura","tag-cenografia","tag-scenography","tag-tragedia","tag-tragedy"],"_links":{"self":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/795","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=795"}],"version-history":[{"count":4,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/795\/revisions"}],"predecessor-version":[{"id":799,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/795\/revisions\/799"}],"wp:attachment":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=795"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=795"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=795"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}