{"id":773,"date":"2021-06-10T09:00:00","date_gmt":"2021-06-10T12:00:00","guid":{"rendered":"https:\/\/bibliotecadesigncenico.ct.utfpr.edu.br\/?p=773"},"modified":"2021-06-09T18:55:37","modified_gmt":"2021-06-09T21:55:37","slug":"palhacar-mascaras-em-uma-patetica-poetica-por-rir","status":"publish","type":"post","link":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/?p=773","title":{"rendered":"Palha\u00e7ar : m\u00e1scaras em uma pat\u00e9tica-po\u00e9tica por rir"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"773\" class=\"elementor elementor-773\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-82d94ee elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"82d94ee\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-35d4070\" data-id=\"35d4070\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f9abe69 elementor-widget elementor-widget-text-editor\" data-id=\"f9abe69\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;OLENDZK, Luciane de Campos. Palha\u00e7ar : m\u00e1scaras em uma pat\u00e9tica-po\u00e9tica por rir. Disserta\u00e7\u00e3o (Mestrado em Educa\u00e7\u00e3o) - UFRGS, 2009.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:7073,&quot;3&quot;:{&quot;1&quot;:0},&quot;8&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;10&quot;:2,&quot;11&quot;:0,&quot;12&quot;:0,&quot;14&quot;:[null,2,2575891],&quot;15&quot;:&quot;Arial&quot;}\">OLENDZK, Luciane de Campos. <strong>Palha\u00e7ar : m\u00e1scaras em uma pat\u00e9tica-po\u00e9tica por rir<\/strong>. Disserta\u00e7\u00e3o (Mestrado em Educa\u00e7\u00e3o) &#8211; UFRGS, 2009.<\/span><\/p><p>Palavras-chave: <span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Filosofia Filosofia da diferen\u00e7a M\u00e1scaras Po\u00e9tica teatral Teatro&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:573,&quot;3&quot;:{&quot;1&quot;:0},&quot;5&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;6&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;7&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;8&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;12&quot;:0}\">Filosofia; Filosofia da diferen\u00e7a; M\u00e1scaras; Po\u00e9tica teatral; Teatro.<\/span><\/p><p>Resumo: <span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Esta disserta\u00e7\u00e3o \u00e9 composta por cenas de escritura, onde atravessam s\u00e9ries heterog\u00eaneas de m\u00e1scaras que comp\u00f5em uma tipologia e uma topologia da arte do palha\u00e7o. Tais m\u00e1scaras dramatizam o conhecimento e a pr\u00f3pria historiografia da arte do palha\u00e7o e atuam como pot\u00eancias intempestivas, tra\u00e7ando um plano de composi\u00e7\u00e3o e de pensamento que procede por fabula\u00e7\u00e3o, entre o teatro e a filosofia, com autores como Nietzsche, Deleuze e Artaud. M\u00e1scara-palha\u00e7o em jogo, por instinto de jogo e varia\u00e7\u00e3o po\u00e9tica, no poder de afetar e ser afetada, elevada \u00e0 en\u00e9sima pot\u00eancia do falso. M\u00e1scara-palha\u00e7o em po\u00e9tica (obs)c\u00eanica, jogada e jogadora na efetua\u00e7\u00e3o da obra e do encontro teatral para o acontecimento: palha\u00e7ar. Palha\u00e7o do acontecimento. Dilacera\u00e7\u00e3o criativa e de multiplicidade na experi\u00eancia de cria\u00e7\u00e3o de uma m\u00e1scara-palha\u00e7o afirmadora e afirmativa, que opera por alegria tr\u00e1gica em potencializa\u00e7\u00e3o art\u00edstica e de vida. Po\u00e9tica c\u00eanica da m\u00e1scara c\u00f4mico-pat\u00e9tica para o acontecimento no encontro teatral. Por jogo, por querer-artista e por rir.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:572,&quot;5&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;6&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;7&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;8&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;12&quot;:0}\">Esta disserta\u00e7\u00e3o \u00e9 composta por cenas de escritura, onde atravessam s\u00e9ries heterog\u00eaneas de m\u00e1scaras que comp\u00f5em uma tipologia e uma topologia da arte do palha\u00e7o. Tais m\u00e1scaras dramatizam o conhecimento e a pr\u00f3pria historiografia da arte do palha\u00e7o e atuam como pot\u00eancias intempestivas, tra\u00e7ando um plano de composi\u00e7\u00e3o e de pensamento que procede por fabula\u00e7\u00e3o, entre o teatro e a filosofia, com autores como Nietzsche, Deleuze e Artaud. M\u00e1scara-palha\u00e7o em jogo, por instinto de jogo e varia\u00e7\u00e3o po\u00e9tica, no poder de afetar e ser afetada, elevada \u00e0 en\u00e9sima pot\u00eancia do falso. M\u00e1scara-palha\u00e7o em po\u00e9tica (obs)c\u00eanica, jogada e jogadora na efetua\u00e7\u00e3o da obra e do encontro teatral para o acontecimento: palha\u00e7ar. Palha\u00e7o do acontecimento. Dilacera\u00e7\u00e3o criativa e de multiplicidade na experi\u00eancia de cria\u00e7\u00e3o de uma m\u00e1scara-palha\u00e7o afirmadora e afirmativa, que opera por alegria tr\u00e1gica em potencializa\u00e7\u00e3o art\u00edstica e de vida. Po\u00e9tica c\u00eanica da m\u00e1scara c\u00f4mico-pat\u00e9tica para o acontecimento no encontro teatral. Por jogo, por querer-artista e por rir.<\/span><\/p><p>Link:<a href=\"http:\/\/hdl.handle.net\/10183\/16916\"> http:\/\/hdl.handle.net\/10183\/16916<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7533d77 elementor--star-style-star_fontawesome elementor-widget elementor-widget-star-rating\" data-id=\"7533d77\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"star-rating.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-star-rating__wrapper\">\n\t\t\t\t\t\t<div class=\"elementor-star-rating\" itemtype=\"http:\/\/schema.org\/Rating\" itemscope=\"\" itemprop=\"reviewRating\">\n\t\t\t\t<i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i>\t\t\t\t<span itemprop=\"ratingValue\" class=\"elementor-screen-only\">Rated 5 out of 5<\/span>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>OLENDZK, Luciane de Campos. Palha\u00e7ar : m\u00e1scaras em uma pat\u00e9tica-po\u00e9tica por rir. Disserta\u00e7\u00e3o (Mestrado em Educa\u00e7\u00e3o) &#8211; UFRGS, 2009. Palavras-chave: Filosofia; Filosofia da diferen\u00e7a; M\u00e1scaras; Po\u00e9tica teatral; Teatro. Resumo: Esta disserta\u00e7\u00e3o \u00e9 composta por cenas de escritura, onde atravessam s\u00e9ries &hellip; <a href=\"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/?p=773\">Continue lendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-773","post","type-post","status-publish","format-standard","hentry","category-teatro-de-formas-animadas"],"_links":{"self":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/773","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=773"}],"version-history":[{"count":4,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/773\/revisions"}],"predecessor-version":[{"id":777,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/773\/revisions\/777"}],"wp:attachment":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=773"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=773"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=773"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}