{"id":560,"date":"2021-06-10T09:00:00","date_gmt":"2021-06-10T12:00:00","guid":{"rendered":"https:\/\/bibliotecadesigncenico.ct.utfpr.edu.br\/?p=560"},"modified":"2021-06-09T14:01:50","modified_gmt":"2021-06-09T17:01:50","slug":"cotovia-moratoria-mambembe-uma-investigacao-sobre-a-cenografia-de-gianni-ratto","status":"publish","type":"post","link":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/?p=560","title":{"rendered":"Cotovia, Morat\u00f3ria, Mambembe :: uma investiga\u00e7\u00e3o sobre a cenografia de Gianni Ratto"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"560\" class=\"elementor elementor-560\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-034603f elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"034603f\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-9a1e62f\" data-id=\"9a1e62f\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f3f702d elementor-widget elementor-widget-text-editor\" data-id=\"f3f702d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;REIS, Andr\u00e9a Renck; DIAS, Jose. Cotovia, Morat\u00f3ria, Mambembe :: uma investiga\u00e7\u00e3o sobre a cenografia de Gianni Ratto. Disserta\u00e7\u00e3o (Mestrado em Teatro) - UNIRIO, 2007.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:7073,&quot;3&quot;:{&quot;1&quot;:0},&quot;8&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;10&quot;:2,&quot;11&quot;:0,&quot;12&quot;:0,&quot;14&quot;:[null,2,2575891],&quot;15&quot;:&quot;Arial&quot;}\">REIS, Andr\u00e9a Renck; DIAS, Jose. <strong>Cotovia, Morat\u00f3ria, Mambembe :: uma investiga\u00e7\u00e3o sobre a cenografia de Gianni Ratto<\/strong>. Disserta\u00e7\u00e3o (Mestrado em Teatro) &#8211; UNIRIO, 2007.<\/span><\/p><p>Palavras-chave: <span data-sheets-value=\"{\" data-sheets-userformat=\"{\">Gianni Ratto; O canto da Cotovia; A Morat\u00f3ria; O Mambembe.<\/span><\/p><p>Resumo: <span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Esta pesquisa desenvolve uma reflex\u00e3o sobre a obra cenogr\u00e1fica do italiano Gianni Ratto, no per\u00edodo inicial de sua atua\u00e7\u00e3o no Brasil, compreendido entre os anos 1954 e 1964, a partir das encena\u00e7\u00f5es O canto da cotovia, de Jean Anouilh, A Morat\u00f3ria, de Jorge Andrade e O Mambembe, de Arthur Azevedo, ao mesmo tempo em que apresenta uma retrospectiva de sua carreira e introduz fatos relevantes da cenografia brasileira na primeira metade do s\u00e9culo XX. Baseada nos registros hist\u00f3ricos dos espet\u00e1culos enfocados, a an\u00e1lise investiga, na obra do cen\u00f3grafo, ind\u00edcios da introdu\u00e7\u00e3o e consolida\u00e7\u00e3o de uma nova pr\u00e1tica cenogr\u00e1fica no pa\u00eds, voltada para a encena\u00e7\u00e3o, e a valoriza\u00e7\u00e3o da cultura nacional por um artista estrangeiro.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:572,&quot;5&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;6&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;7&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;8&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;12&quot;:0}\">Esta pesquisa desenvolve uma reflex\u00e3o sobre a obra cenogr\u00e1fica do italiano Gianni Ratto, no per\u00edodo inicial de sua atua\u00e7\u00e3o no Brasil, compreendido entre os anos 1954 e 1964, a partir das encena\u00e7\u00f5es O canto da cotovia, de Jean Anouilh, A Morat\u00f3ria, de Jorge Andrade e O Mambembe, de Arthur Azevedo, ao mesmo tempo em que apresenta uma retrospectiva de sua carreira e introduz fatos relevantes da cenografia brasileira na primeira metade do s\u00e9culo XX. Baseada nos registros hist\u00f3ricos dos espet\u00e1culos enfocados, a an\u00e1lise investiga, na obra do cen\u00f3grafo, ind\u00edcios da introdu\u00e7\u00e3o e consolida\u00e7\u00e3o de uma nova pr\u00e1tica cenogr\u00e1fica no pa\u00eds, voltada para a encena\u00e7\u00e3o, e a valoriza\u00e7\u00e3o da cultura nacional por um artista estrangeiro.<\/span><\/p><p>Link: <a href=\"http:\/\/www.repositorio-bc.unirio.br:8080\/xmlui\/handle\/unirio\/11873?show=full\">http:\/\/www.repositorio-bc.unirio.br:8080\/xmlui\/handle\/unirio\/11873?show=full<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-75fa303 elementor--star-style-star_fontawesome elementor-widget elementor-widget-star-rating\" data-id=\"75fa303\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"star-rating.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-star-rating__wrapper\">\n\t\t\t\t\t\t<div class=\"elementor-star-rating\" itemtype=\"http:\/\/schema.org\/Rating\" itemscope=\"\" itemprop=\"reviewRating\">\n\t\t\t\t<i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i>\t\t\t\t<span itemprop=\"ratingValue\" class=\"elementor-screen-only\">Rated 5 out of 5<\/span>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>REIS, Andr\u00e9a Renck; DIAS, Jose. Cotovia, Morat\u00f3ria, Mambembe :: uma investiga\u00e7\u00e3o sobre a cenografia de Gianni Ratto. Disserta\u00e7\u00e3o (Mestrado em Teatro) &#8211; UNIRIO, 2007. Palavras-chave: Gianni Ratto; O canto da Cotovia; A Morat\u00f3ria; O Mambembe. Resumo: Esta pesquisa desenvolve uma &hellip; <a href=\"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/?p=560\">Continue lendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-560","post","type-post","status-publish","format-standard","hentry","category-cenografia"],"_links":{"self":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/560","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=560"}],"version-history":[{"count":4,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/560\/revisions"}],"predecessor-version":[{"id":564,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/560\/revisions\/564"}],"wp:attachment":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=560"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=560"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=560"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}