{"id":430,"date":"2021-06-07T13:47:28","date_gmt":"2021-06-07T16:47:28","guid":{"rendered":"https:\/\/bibliotecadesigncenico.ct.utfpr.edu.br\/?p=430"},"modified":"2021-06-07T13:50:56","modified_gmt":"2021-06-07T16:50:56","slug":"o-jogo-musical-no-teatro-de-meierhold-principios-e-procedimentos-nos-planos-da-atuacao-encenacao-e-dramaturgia","status":"publish","type":"post","link":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/?p=430","title":{"rendered":"O jogo musical no teatro de Meierhold: princ\u00edpios e procedimentos nos planos da atua\u00e7\u00e3o, encena\u00e7\u00e3o e dramaturgia"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"430\" class=\"elementor elementor-430\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-c3671ff elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"c3671ff\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-e3ccfba\" data-id=\"e3ccfba\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-90fad76 elementor-widget elementor-widget-text-editor\" data-id=\"90fad76\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>SOUZA, Raquel Castro de. <strong>O jogo musical no teatro de Meierhold: princ\u00edpios e procedimentos nos planos da atua\u00e7\u00e3o, encena\u00e7\u00e3o e dramaturgia.\u00a0<\/strong>Disserta\u00e7\u00e3o (Mestrado em Artes) &#8211; Universidade Federal de Minas Gerais, 2012.<\/p><p>Palavras-chave:Teatro musical, Linguagem corporal, Teatro, Musica, Representa\u00e7\u00e3o teatral, Meierhold, Karl Theodor Kasimir, 1875-1940, Melodia.<\/p><p>Resumo: Esta disserta\u00e7\u00e3o tem por finalidade destacar princ\u00edpios de composi\u00e7\u00e3o e discriminar procedimentos criativos que se referem ao jogo com a m\u00fasica no teatro do encenador russo Vs\u00e9volod Meierhold (1875-1940). Parte da premissa que a m\u00fasica \u00e9 uma das mais importantes matrizes de constru\u00e7\u00e3o da cena meierholdiana e encontra-se no cerne da renova\u00e7\u00e3o art\u00edstica proposta pelo encenador. Evidencia-se tamb\u00e9m a quest\u00e3o da assimila\u00e7\u00e3o do conte\u00fado musical no corpo\/voz do ator atrav\u00e9s das pr\u00e1ticas pedag\u00f3gicas desenvolvidas por Meierhold, destacando os princ\u00edpios musicais presentes na biomec\u00e2nica e na Leitura Musical do Drama. Para tal fim, a pesquisa se apoia, como principal fonte de investiga\u00e7\u00e3o, nos textos te\u00f3ricos do encenador e nos relatos de seus comentadores. A partir das informa\u00e7\u00f5es rastreadas, apresenta-se uma proposta de delineamento dos recursos e estrat\u00e9gias desenvolvidos por Meierhold em que a m\u00fasica opera como elemento construtivo da cena teatral nos planos da atua\u00e7\u00e3o, encena\u00e7\u00e3o e dramaturgia.<\/p><p>Link:\u00a0<a href=\"https:\/\/repositorio.ufmg.br\/handle\/1843\/JSSS-9B7NXQ\">https:\/\/repositorio.ufmg.br\/handle\/1843\/JSSS-9B7NXQ<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-a7d6bfa elementor--star-style-star_fontawesome elementor-widget elementor-widget-star-rating\" data-id=\"a7d6bfa\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"star-rating.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-star-rating__wrapper\">\n\t\t\t\t\t\t<div class=\"elementor-star-rating\" itemtype=\"http:\/\/schema.org\/Rating\" itemscope=\"\" itemprop=\"reviewRating\">\n\t\t\t\t<i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i>\t\t\t\t<span itemprop=\"ratingValue\" class=\"elementor-screen-only\">Rated 5 out of 5<\/span>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>SOUZA, Raquel Castro de. O jogo musical no teatro de Meierhold: princ\u00edpios e procedimentos nos planos da atua\u00e7\u00e3o, encena\u00e7\u00e3o e dramaturgia.\u00a0Disserta\u00e7\u00e3o (Mestrado em Artes) &#8211; Universidade Federal de Minas Gerais, 2012. Palavras-chave:Teatro musical, Linguagem corporal, Teatro, Musica, Representa\u00e7\u00e3o teatral, Meierhold, &hellip; <a href=\"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/?p=430\">Continue lendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[109,107,105,108,110,106,81,59,53],"class_list":["post-430","post","type-post","status-publish","format-standard","hentry","category-sonoplastia","tag-1875-1940","tag-karl-theodor-kasimir","tag-linguagem-corporal","tag-meierhold","tag-melodia","tag-musica","tag-representacao-teatral","tag-teatro","tag-teatro-musical"],"_links":{"self":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/430","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=430"}],"version-history":[{"count":4,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/430\/revisions"}],"predecessor-version":[{"id":434,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/430\/revisions\/434"}],"wp:attachment":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=430"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=430"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=430"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}