{"id":313,"date":"2021-06-02T13:32:07","date_gmt":"2021-06-02T16:32:07","guid":{"rendered":"https:\/\/bibliotecadesigncenico.ct.utfpr.edu.br\/?p=313"},"modified":"2021-06-02T13:35:50","modified_gmt":"2021-06-02T16:35:50","slug":"praxis-cenica-como-articulacao-de-visualidade-a-luz-na-genese-do-espetaculo","status":"publish","type":"post","link":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/?p=313","title":{"rendered":"Pr\u00e1xis c\u00eanica como articula\u00e7\u00e3o de visualidade: a luz na g\u00eanese do espet\u00e1culo"},"content":{"rendered":"\t\t
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TUDELLA, Eduardo Augusto da Silva. Pr\u00e1xis c\u00eanica como articula\u00e7\u00e3o de visualidade: a luz na g\u00eanese do espet\u00e1culo.<\/strong> Tese (Doutorado em Artes C\u00eanicas) – Univesidade Federal da Bahia, 2018.<\/p>

Palavras-chave: Ilumina\u00e7\u00e3o de cena, Luz, Visualiza\u00e7\u00e3o, Imagem, Theatre lighting design, Lighting, Visuality, Image.<\/p>

Resumo: O objetivo desta tese \u00e9 investigar a pr\u00e1xis c\u00eanica como problema est\u00e9tico-visual, cuja origem se encontra, n\u00e3o apenas nas primeiras teoriza\u00e7\u00f5es do teatro da Gr\u00e9cia Cl\u00e1ssica, mas tamb\u00e9m nos est\u00e1gios iniciais do drama cl\u00e1ssico, uma vez que ambas as abordagens observam, analisam e operam com a posi\u00e7\u00e3o art\u00edstica da luz no contexto do espet\u00e1culo teatral. A presente tese compreende a pr\u00e1xis c\u00eanica como uma obra comp\u00f3sita, cuja efetiva\u00e7\u00e3o geralmente congrega o trabalho de muitos artistas, i. e., mesmo quando nela se observa a acentua\u00e7\u00e3o de um ou outro aspecto, sua natureza se afirma na intera\u00e7\u00e3o din\u00e2mica entre os diversos aspectos e agentes. Tais elementos interagem em movimentos irregulares, transversalmente articulados, entrela\u00e7ando-se ao longo do processo de cria\u00e7\u00e3o. As investiga\u00e7\u00f5es que constitu\u00edram a tese incorporam os conceitos de imagem c\u00eanica e de visualidade, aplicando a an\u00e1lise bibliogr\u00e1fico-documental como estrat\u00e9gia para identificar elementos instigantes para a discuss\u00e3o desses conceitos. A abordagem refere-se a um conjunto de documentos, desde o teatro grego cl\u00e1ssico at\u00e9 a contemporaneidade, e descarta o ordenamento cronol\u00f3gico, pois leva em conta as espec\u00edficas rela\u00e7\u00f5es entre os textos e a problematiza\u00e7\u00e3o que guia a tese. Procurando analisar a amplitude das intera\u00e7\u00f5es entre a luz e a cena, o presente trabalho \u00e9 sustentado por duas convic\u00e7\u00f5es: em primeiro lugar, as contribui\u00e7\u00f5es da luz est\u00e3o presentes em momentos muito anteriores \u00e0 \u201cmontagem da luz\u201d de um espet\u00e1culo; depois, do ponto de vista hist\u00f3rico, \u00e9 preciso constatar a presen\u00e7a da luz no teatro, em momentos muito anteriores ao Renascimento italiano, no s\u00e9culo XVI, quando apareceram os primeiros teatros cobertos que necessitavam da luz artificial para a realiza\u00e7\u00e3o de espet\u00e1culos. Com a leitura de textos e documentos do \u00e2mbito particular do tema, a tese indica futuras interven\u00e7\u00f5es, tanto na abordagem te\u00f3rica da cena em si, quanto no seu planejamento visual.
The aim of the dissertation is to investigate the scenic praxis as an aesthetic-visual problem, whose origin lies not only in the first theorizations of the theater of Classical Greece, but also in the early stages of classical drama, since both approaches observe, analyze and work the position of the light in the context of theatrical event. This dissertation understands scenic praxis as a composite work whose accomplishment usually gathers the work of many artists, i. e., even when it is observed the emphasizing of one or other aspect, its nature asserts itself in the dynamic interaction between the various aspects and agents. These elements interact in irregular movements, articulated in a transverse way, interweaving the process of creation. The investigations which formed the dissertation embody the concept of scenic image and \u201cvisualty\u201d applying the bibliographic-documentary analysis as a strategy to identify provocative elements to its discussion. The approach include a set of documents from the classical Greek drama to the contemporary times, and discard the chronological order because it took into account specific relationships between the texts and the questioning that guides the thesis. Seeking to analyze the extent of the interactions between light and scene, this work is supported by two beliefs: first, the contributions of light are present in the spectacular events in much earlier times then the moment of the “lighting assembly” of a show; second, from the historical point of view, it is necessary to observe the presence of light long before the 16th century Italian Renaissance, when the need of artificial light for holding shows appeared in the first covered theaters. With the reading of texts and documents on the scope of the particular theme, the thesis indicates future interventions, both in the theoretical approach of the scene itself, and in planning for the theatre lighting design.<\/p>

Link:\u00a0https:\/\/repositorio.ufba.br\/ri\/handle\/ri\/27309<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t<\/i><\/i><\/i><\/i><\/i>\t\t\t\tRated 5 out of 5<\/span>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

TUDELLA, Eduardo Augusto da Silva. Pr\u00e1xis c\u00eanica como articula\u00e7\u00e3o de visualidade: a luz na g\u00eanese do espet\u00e1culo. Tese (Doutorado em Artes C\u00eanicas) – Univesidade Federal da Bahia, 2018. Palavras-chave: Ilumina\u00e7\u00e3o de cena, Luz, Visualiza\u00e7\u00e3o, Imagem, Theatre lighting design, Lighting, Visuality, … Continue lendo →<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[72,79,75,77,73,76,78,74],"class_list":["post-313","post","type-post","status-publish","format-standard","hentry","category-iluminacao","tag-iluminacao-de-cena","tag-image","tag-imagem","tag-lighting","tag-luz","tag-theatre-lighting-design","tag-visuality","tag-visualizacao"],"_links":{"self":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/313","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=313"}],"version-history":[{"count":4,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/313\/revisions"}],"predecessor-version":[{"id":317,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/313\/revisions\/317"}],"wp:attachment":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=313"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=313"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=313"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}