{"id":2180,"date":"2021-08-25T15:28:11","date_gmt":"2021-08-25T18:28:11","guid":{"rendered":"https:\/\/bibliotecadesigncenico.ct.utfpr.edu.br\/?p=2180"},"modified":"2023-12-14T17:07:19","modified_gmt":"2023-12-14T20:07:19","slug":"o-dueto-comicoda-commedia-dellarte-ao-cavalo-marinho","status":"publish","type":"post","link":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/?p=2180","title":{"rendered":"O DUETO C\u00d4MICO:DA COMMEDIA DELL&#8217;ARTE AO CAVALO MARINHO"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"2180\" class=\"elementor elementor-2180\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-8b4d4f0 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"8b4d4f0\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-4b20969\" data-id=\"4b20969\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4176210 elementor-widget elementor-widget-text-editor\" data-id=\"4176210\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>SANTOS, Ivanildo Lubarino Piccoli dos.\u00a0O Dueto C\u00f4mico: da Commedia dell\u2019Arte ao Cavalo Marinho.\u00a0Tese (Doutorado em Artes C\u00eanicas- Teatro) &#8211; Universidade Estadual Paulista, 2015.<\/p><p><strong>Palavras-chave:<\/strong> Dueto C\u00f4mico; Commedia dell\u2019Arte; Circo; Cavalo Marinho; M\u00e1scaras C\u00f4micas.<\/p><p><strong>Resumo:<\/strong> Esta tese fundamenta-se na identifica\u00e7\u00e3o e na an\u00e1lise comparativa das<br \/>\u201cduplas c\u00f4micas\u201d presentes na Commedia dell\u2019Arte italiana e na manifesta\u00e7\u00e3o da cultura<br \/>popular brasileira do Cavalo Marinho, bem como faz refer\u00eancia \u00e0s duplas de palha\u00e7os do<br \/>Circo. Existem muitos tra\u00e7os em comum nessas manifesta\u00e7\u00f5es c\u00eanicas, tais como as caracter\u00edsticas e as fun\u00e7\u00f5es dos arqu\u00e9tipos c\u00f4micos populares nelas presentes. Inicialmente, \u00e9 apresentado um entendimento sobre as origens, constitui\u00e7\u00e3o e caracter\u00edsticas dessas \u201cduplas c\u00f4micas\u201d, baseado no contexto hist\u00f3rico e art\u00edstico do seu surgimento, nos elementos da sua estrutura, na sua fun\u00e7\u00e3o e na sua perman\u00eancia ao longo do tempo, evidenciando-se alguns de seus principais representantes. A an\u00e1lise tem como ponto de partida o mito do trickster, cuja defini\u00e7\u00e3o possibilita o entendimento das dualidades surgidas nas manifesta\u00e7\u00f5es c\u00eanicas. Em seguida, \u00e9 tra\u00e7ado um percurso hist\u00f3rico da Commedia dell\u2019Arte, para chegar aos dois polos arquet\u00edpicos c\u00f4micos representados por Primeiro e Segundo Zanni, sendo Brighella e Arlecchino, respectivamente, seus representantes \u00edcones. A parte final \u00e9 dedicada a um estudo do Cavalo Marinho, objeto do mestrado do autor, focado especialmente na rela\u00e7\u00e3o da dupla c\u00f4mica de Mateus e Basti\u00e3o.<\/p><p><a href=\"https:\/\/repositorio.unesp.br\/bitstream\/handle\/11449\/190866\/000873788.pdf?sequence=1&amp;isAllowed=y\">Acesse aqui.<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-644128d elementor--star-style-star_fontawesome elementor-widget elementor-widget-star-rating\" data-id=\"644128d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"star-rating.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-star-rating__wrapper\">\n\t\t\t\t\t\t<div class=\"elementor-star-rating\" itemtype=\"http:\/\/schema.org\/Rating\" itemscope=\"\" itemprop=\"reviewRating\">\n\t\t\t\t<i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i>\t\t\t\t<span itemprop=\"ratingValue\" class=\"elementor-screen-only\">Rated 5 out of 5<\/span>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>SANTOS, Ivanildo Lubarino Piccoli dos.\u00a0O Dueto C\u00f4mico: da Commedia dell\u2019Arte ao Cavalo Marinho.\u00a0Tese (Doutorado em Artes C\u00eanicas- Teatro) &#8211; Universidade Estadual Paulista, 2015. Palavras-chave: Dueto C\u00f4mico; Commedia dell\u2019Arte; Circo; Cavalo Marinho; M\u00e1scaras C\u00f4micas. Resumo: Esta tese fundamenta-se na identifica\u00e7\u00e3o e &hellip; <a href=\"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/?p=2180\">Continue lendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[414,602,683,682,684],"class_list":["post-2180","post","type-post","status-publish","format-standard","hentry","category-teatro-de-formas-animadas","tag-cavalo-marinho","tag-circo","tag-commedia-dellarte-2","tag-dueto-comico","tag-mascaras-comicas"],"_links":{"self":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/2180","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2180"}],"version-history":[{"count":7,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/2180\/revisions"}],"predecessor-version":[{"id":2520,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/2180\/revisions\/2520"}],"wp:attachment":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2180"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2180"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2180"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}