{"id":2057,"date":"2021-07-05T18:56:53","date_gmt":"2021-07-05T21:56:53","guid":{"rendered":"https:\/\/bibliotecadesigncenico.ct.utfpr.edu.br\/?p=2057"},"modified":"2023-12-14T17:21:34","modified_gmt":"2023-12-14T20:21:34","slug":"o-ator-no-teatro-de-animacao-contemporaneo-trajetorias-rumo-a-criacao-da-cena","status":"publish","type":"post","link":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/?p=2057","title":{"rendered":"O ator no teatro de anima\u00e7\u00e3o contempor\u00e2neo: trajet\u00f3rias rumo \u00e0 cria\u00e7\u00e3o da cena"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"2057\" class=\"elementor elementor-2057\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-582c65e elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"582c65e\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-be5c125\" data-id=\"be5c125\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-fc74363 elementor-widget elementor-widget-text-editor\" data-id=\"fc74363\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>CASTRO, Kely Elias de. O ator no teatro de anima\u00e7\u00e3o contempor\u00e2neo: trajet\u00f3rias rumo \u00e0 cria\u00e7\u00e3o da cena.\u00a0Disserta\u00e7\u00e3o (Mestrado em\u00a0 Teoria e Pr\u00e1tica do Teatro) &#8211; Universidade de S\u00e3o Paulo, 2009.<\/p><div class=\"DocumentoTituloTexto\"><strong>Palavras-chave:<\/strong> Ator, Ator-manipulador, Processo de Cria\u00e7\u00e3o, Teatro Contempor\u00e2neo, Teatro de Anima\u00e7\u00e3o.<\/div><div>\u00a0<\/div><div><strong>Resumo:<\/strong> Partindo do car\u00e1ter h\u00edbrido do Teatro de Anima\u00e7\u00e3o, o presente estudo analisa aspectos de procedimentos criativos que se apresentam como especificidades na trajet\u00f3ria do ator rumo \u00e0 cria\u00e7\u00e3o da cena nesta linguagem. Para tanto, vale-se de pesquisa de campo realizada nos seguintes grupos teatrais dedicados ao Teatro de Anima\u00e7\u00e3o e atuantes na cidade de S\u00e3o Paulo: Cia. Truks, Sobrevento, Morpheus Teatro e Seres de Luz Teatro. Neles foram observados processos de cria\u00e7\u00e3o de espet\u00e1culos, bem como procedimentos em treinamentos e oficinas. O estudo ampara-se ainda em pesquisa de escopo te\u00f3rico referente \u00e0s rela\u00e7\u00f5es estabelecidas entre artes pl\u00e1sticas e c\u00eanicas no Teatro de Anima\u00e7\u00e3o contempor\u00e2neo e aos m\u00e9todos de trabalho e prepara\u00e7\u00e3o do ator, bem como aspectos concernentes a sua atua\u00e7\u00e3o com objetos, bonecos, m\u00e1scaras e outros materiais. O resultado revela uma reflex\u00e3o verticalizada em dire\u00e7\u00e3o \u00e0s particularidades que se apresentam nos procedimentos de cria\u00e7\u00e3o da cena pelo ator-manipulador.<\/div><div>\u00a0<\/div><p><a href=\"https:\/\/teses.usp.br\/teses\/disponiveis\/27\/27156\/tde-19112010-090333\/pt-br.php\">Acesse aqui.<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1caddeb elementor--star-style-star_fontawesome elementor-widget elementor-widget-star-rating\" data-id=\"1caddeb\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"star-rating.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-star-rating__wrapper\">\n\t\t\t\t\t\t<div class=\"elementor-star-rating\" itemtype=\"http:\/\/schema.org\/Rating\" itemscope=\"\" itemprop=\"reviewRating\">\n\t\t\t\t<i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i>\t\t\t\t<span itemprop=\"ratingValue\" class=\"elementor-screen-only\">Rated 5 out of 5<\/span>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>CASTRO, Kely Elias de. O ator no teatro de anima\u00e7\u00e3o contempor\u00e2neo: trajet\u00f3rias rumo \u00e0 cria\u00e7\u00e3o da cena.\u00a0Disserta\u00e7\u00e3o (Mestrado em\u00a0 Teoria e Pr\u00e1tica do Teatro) &#8211; Universidade de S\u00e3o Paulo, 2009. Palavras-chave: Ator, Ator-manipulador, Processo de Cria\u00e7\u00e3o, Teatro Contempor\u00e2neo, Teatro de &hellip; <a href=\"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/?p=2057\">Continue lendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[349,620,283,621,203],"class_list":["post-2057","post","type-post","status-publish","format-standard","hentry","category-teatro-de-formas-animadas","tag-ator","tag-ator-manipulador","tag-processo-de-criacao","tag-teatro-contemporaneo","tag-teatro-de-animacao"],"_links":{"self":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/2057","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2057"}],"version-history":[{"count":10,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/2057\/revisions"}],"predecessor-version":[{"id":2559,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/2057\/revisions\/2559"}],"wp:attachment":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2057"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2057"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2057"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}