{"id":1859,"date":"2021-07-05T13:23:02","date_gmt":"2021-07-05T16:23:02","guid":{"rendered":"https:\/\/bibliotecadesigncenico.ct.utfpr.edu.br\/?p=1859"},"modified":"2021-07-05T13:25:06","modified_gmt":"2021-07-05T16:25:06","slug":"a-cenografia-e-as-megaexposicoes-do-seculo-xxi","status":"publish","type":"post","link":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/?p=1859","title":{"rendered":"A cenografia e as megaexposi\u00e7\u00f5es do s\u00e9culo XXI"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1859\" class=\"elementor elementor-1859\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-3ead1e4 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"3ead1e4\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-e69276d\" data-id=\"e69276d\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-251545f elementor-widget elementor-widget-text-editor\" data-id=\"251545f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>SOUZA,\u00a0Lucas Fabrizzio Laquimia de.\u00a0<strong>A cenografia e as megaexposi\u00e7\u00f5es do s\u00e9culo XXI.\u00a0<\/strong>Disserta\u00e7\u00e3o (Mestrado em Teoria e Pr\u00e1tica do Teatro) &#8211; Universidade de S\u00e3o Paulo, 2012.<\/p><p>Palavras-chave: Cenografia, Espa\u00e7o expositivo, Exposi\u00e7\u00e3o &#8211; Brasil, Mostra do redescobrimento.<\/p><p>Resumo: Esse trabalho consiste em uma reflex\u00e3o sobre o espa\u00e7o expositivo, sua rela\u00e7\u00e3o com a cenografia e implica\u00e7\u00f5es conceituais provenientes da intera\u00e7\u00e3o desses dois elementos. Prop\u00f5e o exame da chamada cenografia de exposi\u00e7\u00e3o e da sua relev\u00e2ncia como protagonista de uma nova tend\u00eancia em mostras brasileiras h\u00e1 um pouco mais de uma d\u00e9cada. Para isso, tra\u00e7a um panorama hist\u00f3rico dos espa\u00e7os reservados para mostras de arte, aliando-o a quest\u00f5es de linguagem e conceituais. An\u00e1lise realizada sob o ponto de vista da experi\u00eancia individual do visitante, que vivencia diferentes espa\u00e7os de arte dentro de diversos contextos hist\u00f3ricos e sociais. A partir dessa abordagem, realiza um balan\u00e7o das implica\u00e7\u00f5es por tr\u00e1s da manipula\u00e7\u00e3o de um recurso t\u00e3o vers\u00e1til como o espa\u00e7o de exposi\u00e7\u00f5es, a fim de servir de alerta sobre as suas especificidades e de propiciar uma base para uma reflex\u00e3o cr\u00edtica sobre o of\u00edcio hoje exercido por profissionais de arquitetura, artes pl\u00e1sticas e c\u00eanicas.<\/p><p>Link:\u00a0<a href=\"https:\/\/teses.usp.br\/teses\/disponiveis\/27\/27156\/tde-05032013-103246\/pt-br.php\">https:\/\/teses.usp.br\/teses\/disponiveis\/27\/27156\/tde-05032013-103246\/pt-br.php<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-61565b4 elementor--star-style-star_fontawesome elementor-widget elementor-widget-star-rating\" data-id=\"61565b4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"star-rating.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-star-rating__wrapper\">\n\t\t\t\t\t\t<div class=\"elementor-star-rating\" itemtype=\"http:\/\/schema.org\/Rating\" itemscope=\"\" itemprop=\"reviewRating\">\n\t\t\t\t<i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i>\t\t\t\t<span itemprop=\"ratingValue\" class=\"elementor-screen-only\">Rated 5 out of 5<\/span>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>SOUZA,\u00a0Lucas Fabrizzio Laquimia de.\u00a0A cenografia e as megaexposi\u00e7\u00f5es do s\u00e9culo XXI.\u00a0Disserta\u00e7\u00e3o (Mestrado em Teoria e Pr\u00e1tica do Teatro) &#8211; Universidade de S\u00e3o Paulo, 2012. Palavras-chave: Cenografia, Espa\u00e7o expositivo, Exposi\u00e7\u00e3o &#8211; Brasil, Mostra do redescobrimento. Resumo: Esse trabalho consiste em uma &hellip; <a href=\"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/?p=1859\">Continue lendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[20,546,547,548],"class_list":["post-1859","post","type-post","status-publish","format-standard","hentry","category-cenografia","tag-cenografia","tag-espaco-expositivo","tag-exposicao-brasil","tag-mostra-do-redescobrimento"],"_links":{"self":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/1859","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1859"}],"version-history":[{"count":4,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/1859\/revisions"}],"predecessor-version":[{"id":1863,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/1859\/revisions\/1863"}],"wp:attachment":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1859"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1859"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1859"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}