{"id":1405,"date":"2021-06-17T07:00:00","date_gmt":"2021-06-17T10:00:00","guid":{"rendered":"https:\/\/bibliotecadesigncenico.ct.utfpr.edu.br\/?p=1405"},"modified":"2021-06-16T15:58:25","modified_gmt":"2021-06-16T18:58:25","slug":"volupia-e-poder-intencoes-cenias-e-figurino-na-opera-salome","status":"publish","type":"post","link":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/?p=1405","title":{"rendered":"Vol\u00fapia e Poder: Inten\u00e7\u00f5es C\u00eanias e Figurino na \u00d3pera Salom\u00e9"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1405\" class=\"elementor elementor-1405\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-7910c61 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"7910c61\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-83e3a3a\" data-id=\"83e3a3a\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-bb9dcb4 elementor-widget elementor-widget-text-editor\" data-id=\"bb9dcb4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;PIOVEZAN, Veridiana. Vol\u00fapia e Poder: Inten\u00e7\u00f5es C\u00eanias e Figurino na \u00d3pera Salom\u00e9. Disserta\u00e7\u00e3o (Mestrado em Teatro) - UDESC, 2018.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:7073,&quot;3&quot;:{&quot;1&quot;:0},&quot;8&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;10&quot;:2,&quot;11&quot;:0,&quot;12&quot;:0,&quot;14&quot;:[null,2,2575891],&quot;15&quot;:&quot;Arial&quot;}\">PIOVEZAN, Veridiana. <strong>Vol\u00fapia e Poder: Inten\u00e7\u00f5es C\u00eanias e Figurino na \u00d3pera Salom\u00e9<\/strong>. Disserta\u00e7\u00e3o (Mestrado em Teatro) &#8211; UDESC, 2018.<\/span><\/p><p>Palavras-chave: <span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;\u00d3pera. Figurino. Encena\u00e7\u00e3o.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:573,&quot;3&quot;:{&quot;1&quot;:0},&quot;5&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;6&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;7&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;8&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;12&quot;:0}\">\u00d3pera; Figurino; Encena\u00e7\u00e3o.<\/span><\/p><p>Resumo: <span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Esta pesquisa analisa duas encena\u00e7\u00f5es da \u00f3pera Salom\u00e9, de Richard Strauss: a feita para o Royal Opera House (2008), de autoria de David McVicar, e a feita para o Theatro Municipal de S\u00e3o Paulo (2014), de autoria de Livia Sabag, salientando suas inten\u00e7\u00f5es c\u00eanicas e refer\u00eancias iconogr\u00e1ficas para a ambienta\u00e7\u00e3o da obra, bem como a import\u00e2ncia crucial do figurino para o espet\u00e1culo oper\u00edstico. A partir de fontes bibliogr\u00e1ficas, cr\u00edticas e entrevistas realizadas com profissionais que trabalharam em ambas as montagens, este estudo examina de que maneira o conte\u00fado dram\u00e1tico e musical da obra pode ser desenvolvido e comunicado no palco por meio de diferentes abordagens e visualidades c\u00eanicas. O processo de elabora\u00e7\u00e3o dos figurinos para a montagem brasileira \u00e9 tamb\u00e9m observado, considerando seus principais procedimentos t\u00e9cnicos e criativos articulados \u00e0 proposta art\u00edstica da encenadora, bem como coadunados ao trabalho de todos os profissionais que atuam para a encena\u00e7\u00e3o da obra.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:573,&quot;3&quot;:{&quot;1&quot;:0},&quot;5&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;6&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;7&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;8&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;12&quot;:0}\">Esta pesquisa analisa duas encena\u00e7\u00f5es da \u00f3pera Salom\u00e9, de Richard Strauss: a feita para o Royal Opera House (2008), de autoria de David McVicar, e a feita para o Theatro Municipal de S\u00e3o Paulo (2014), de autoria de Livia Sabag, salientando suas inten\u00e7\u00f5es c\u00eanicas e refer\u00eancias iconogr\u00e1ficas para a ambienta\u00e7\u00e3o da obra, bem como a import\u00e2ncia crucial do figurino para o espet\u00e1culo oper\u00edstico. A partir de fontes bibliogr\u00e1ficas, cr\u00edticas e entrevistas realizadas com profissionais que trabalharam em ambas as montagens, este estudo examina de que maneira o conte\u00fado dram\u00e1tico e musical da obra pode ser desenvolvido e comunicado no palco por meio de diferentes abordagens e visualidades c\u00eanicas. O processo de elabora\u00e7\u00e3o dos figurinos para a montagem brasileira \u00e9 tamb\u00e9m observado, considerando seus principais procedimentos t\u00e9cnicos e criativos articulados \u00e0 proposta art\u00edstica da encenadora, bem como coadunados ao trabalho de todos os profissionais que atuam para a encena\u00e7\u00e3o da obra.<\/span><\/p><p>Link: <a href=\"https:\/\/sistemabu.udesc.br\/pergamumweb\/vinculos\/000080\/000080f1.pdf\">https:\/\/sistemabu.udesc.br\/pergamumweb\/vinculos\/000080\/000080f1.pdf<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>PIOVEZAN, Veridiana. Vol\u00fapia e Poder: Inten\u00e7\u00f5es C\u00eanias e Figurino na \u00d3pera Salom\u00e9. Disserta\u00e7\u00e3o (Mestrado em Teatro) &#8211; UDESC, 2018. Palavras-chave: \u00d3pera; Figurino; Encena\u00e7\u00e3o. Resumo: Esta pesquisa analisa duas encena\u00e7\u00f5es da \u00f3pera Salom\u00e9, de Richard Strauss: a feita para o Royal &hellip; <a href=\"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/?p=1405\">Continue lendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[268,26,371],"class_list":["post-1405","post","type-post","status-publish","format-standard","hentry","category-figurino","tag-encenacao","tag-figurino","tag-opera"],"_links":{"self":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/1405","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1405"}],"version-history":[{"count":4,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/1405\/revisions"}],"predecessor-version":[{"id":1409,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/1405\/revisions\/1409"}],"wp:attachment":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1405"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1405"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1405"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}