{"id":1158,"date":"2021-06-14T09:00:00","date_gmt":"2021-06-14T12:00:00","guid":{"rendered":"https:\/\/bibliotecadesigncenico.ct.utfpr.edu.br\/?p=1158"},"modified":"2021-06-11T17:52:49","modified_gmt":"2021-06-11T20:52:49","slug":"mascaras-mascarados-e-oprimidos-do-boi-de-mascaras-de-sao-caetano-de-odivelas-ao-teatro-de-rua-do-bairro-da-terra-firme-belem-para","status":"publish","type":"post","link":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/?p=1158","title":{"rendered":"M\u00e1scaras, mascarados e oprimidos: do boi de m\u00e1scaras de S\u00e3o Caetano de Odivelas ao Teatro de rua do Bairro da Terra Firme &#8211; Bel\u00e9m \/ Par\u00e1"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1158\" class=\"elementor elementor-1158\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-440caae elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"440caae\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-60cf091\" data-id=\"60cf091\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-0a06595 elementor-widget elementor-widget-text-editor\" data-id=\"0a06595\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;SANTOS JUNIOR, Paulo de Tarso Nunes. M\u00e1scaras, mascarados e oprimidos: do boi de m\u00e1scaras de S\u00e3o Caetano de Odivelas ao Teatro de rua do Bairro da Terra Firme - Bel\u00e9m \/ Par\u00e1. Disserta\u00e7\u00e3o (Mestrado em Artes) - UFPA, 2012.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:7073,&quot;3&quot;:{&quot;1&quot;:0},&quot;8&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;10&quot;:2,&quot;11&quot;:0,&quot;12&quot;:0,&quot;14&quot;:[null,2,2575891],&quot;15&quot;:&quot;Arial&quot;}\">SANTOS JUNIOR, Paulo de Tarso Nunes. <strong>M\u00e1scaras, mascarados e oprimidos: do boi de m\u00e1scaras de S\u00e3o Caetano de Odivelas ao Teatro de rua do Bairro da Terra Firme &#8211; Bel\u00e9m \/ Par\u00e1<\/strong>. Disserta\u00e7\u00e3o (Mestrado em Artes) &#8211; UFPA, 2012.<\/span><\/p><p>Palavras-chave: <span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Dramaturgia; Teatro popular; Teatro de rua; Boi de M\u00e1scaras; M\u00e1scaras teatrais; Terra Firme (Bel\u00e9m, PA); S\u00e3o Caetano de Odivelas - PA.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:573,&quot;3&quot;:{&quot;1&quot;:0},&quot;5&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;6&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;7&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;8&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;12&quot;:0}\">Dramaturgia; Teatro popular; Teatro de rua; Boi de M\u00e1scaras; M\u00e1scaras teatrais; Terra Firme (Bel\u00e9m, PA); S\u00e3o Caetano de Odivelas &#8211; PA.<\/span><\/p><p>Resumo: <span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Esta pesquisa investiga o Teatro Popular e analisa esta manifesta\u00e7\u00e3o a partir dos elementos visuais e c\u00eanicos que articulam o seu conjunto est\u00e9tico. Refletindo sobre a import\u00e2ncia das m\u00e1scaras teatrais como elemento simb\u00f3lico e t\u00e9cnico na prepara\u00e7\u00e3o do atuante para o Teatro de Rua. Apresenta o trabalho desenvolvido na cria\u00e7\u00e3o de personagens, a partir da ressignifica\u00e7\u00e3o do objeto (m\u00e1scara) do Teatro Popular para o Teatro de Rua, no Bairro da Terra Firme, Bel\u00e9m-Par\u00e1. O trabalho aborda a cria\u00e7\u00e3o coletiva de uma dramaturgia, que expressa, em suas cenas, o cotidiano de seus atuantes. Um Teatro de Rua que busca uma transcend\u00eancia, atrav\u00e9s da solidariedade voltada para o coletivo, da conscientiza\u00e7\u00e3o do cidad\u00e3o para os problemas comunit\u00e1rios e da luta contra a injusti\u00e7a e todas as formas de viol\u00eancia.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:572,&quot;5&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;6&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;7&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;8&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;12&quot;:0}\">Esta pesquisa investiga o Teatro Popular e analisa esta manifesta\u00e7\u00e3o a partir dos elementos visuais e c\u00eanicos que articulam o seu conjunto est\u00e9tico. Refletindo sobre a import\u00e2ncia das m\u00e1scaras teatrais como elemento simb\u00f3lico e t\u00e9cnico na prepara\u00e7\u00e3o do atuante para o Teatro de Rua. Apresenta o trabalho desenvolvido na cria\u00e7\u00e3o de personagens, a partir da ressignifica\u00e7\u00e3o do objeto (m\u00e1scara) do Teatro Popular para o Teatro de Rua, no Bairro da Terra Firme, Bel\u00e9m-Par\u00e1. O trabalho aborda a cria\u00e7\u00e3o coletiva de uma dramaturgia, que expressa, em suas cenas, o cotidiano de seus atuantes. Um Teatro de Rua que busca uma transcend\u00eancia, atrav\u00e9s da solidariedade voltada para o coletivo, da conscientiza\u00e7\u00e3o do cidad\u00e3o para os problemas comunit\u00e1rios e da luta contra a injusti\u00e7a e todas as formas de viol\u00eancia.<\/span><\/p><p>Link: <a href=\"http:\/\/repositorio.ufpa.br\/jspui\/handle\/2011\/7674\">http:\/\/repositorio.ufpa.br\/jspui\/handle\/2011\/7674<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>SANTOS JUNIOR, Paulo de Tarso Nunes. M\u00e1scaras, mascarados e oprimidos: do boi de m\u00e1scaras de S\u00e3o Caetano de Odivelas ao Teatro de rua do Bairro da Terra Firme &#8211; Bel\u00e9m \/ Par\u00e1. Disserta\u00e7\u00e3o (Mestrado em Artes) &#8211; UFPA, 2012. Palavras-chave: &hellip; <a href=\"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/?p=1158\">Continue lendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-1158","post","type-post","status-publish","format-standard","hentry","category-teatro-de-formas-animadas"],"_links":{"self":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/1158","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1158"}],"version-history":[{"count":4,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/1158\/revisions"}],"predecessor-version":[{"id":1162,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/1158\/revisions\/1162"}],"wp:attachment":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1158"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1158"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1158"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}