{"id":1079,"date":"2021-06-11T14:33:58","date_gmt":"2021-06-11T17:33:58","guid":{"rendered":"https:\/\/bibliotecadesigncenico.ct.utfpr.edu.br\/?p=1079"},"modified":"2021-06-11T14:37:41","modified_gmt":"2021-06-11T17:37:41","slug":"a-reinvencao-da-marmelada-diferentes-geracoes-no-circo-do-povo-em-uberaba-mg","status":"publish","type":"post","link":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/?p=1079","title":{"rendered":"A reinven\u00e7\u00e3o da marmelada: diferentes gera\u00e7\u00f5es no Circo do Povo em Uberaba MG"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1079\" class=\"elementor elementor-1079\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-bac27df elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"bac27df\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-91a78bc\" data-id=\"91a78bc\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-af9f550 elementor-widget elementor-widget-text-editor\" data-id=\"af9f550\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>BATISTA, C\u00e1ssia Magaly.\u00a0<strong>A reinven\u00e7\u00e3o da marmelada: diferentes gera\u00e7\u00f5es no Circo do Povo em Uberaba MG.\u00a0<\/strong>Disserta\u00e7\u00e3o (Mestrado em Artes C\u00eanicas) &#8211; Universidade Federal de Uberl\u00e2ndia, 2019.<\/p><p>Palavras-chave: Circo do Povo, Circo Social, Circo em Uberaba, Palha\u00e7os, Artes Circenses.<\/p><p>Resumo: Este trabalho documenta e reflete sobre parte da hist\u00f3ria de reinven\u00e7\u00e3o do Circo, por meio de entrevistas, mem\u00f3rias, levantamento de reportagens da m\u00eddia impressa, e de bibliografia espec\u00edfica sobre o Circo do Povo, de Uberaba, MG, equipamento cultural itinerante inaugurado em 1983, e que ainda est\u00e1 em funcionamento. Partindo da mem\u00f3ria da autora &#8211; que tra\u00e7a um panorama sobre a influ\u00eancia do Circo-Teatro no imagin\u00e1rio de uma crian\u00e7a moradora de uma pequena cidade do interior do tri\u00e2ngulo mineiro (Campo Florido), no final dos anos 1960 e in\u00edcio da d\u00e9cada de 1970, e da an\u00e1lise das transforma\u00e7\u00f5es por que passou o Circo a partir dos anos 1970, tomando como base a cidade de Uberaba MG, \u00e9 feito um trabalho de reflex\u00e3o sobre as formas de express\u00e3o art\u00edstica, ensino e aprendizagem da Arte Circense no per\u00edodo. Como recorte de pesquisa, \u00e9 feita a an\u00e1lise da trajet\u00f3ria de tr\u00eas artistas da cidade, que atuaram ou atuam no Circo do Povo, e que percorreram diferentes caminhos at\u00e9 a profissionaliza\u00e7\u00e3o, ampliando essa an\u00e1lise ao comparar o que ocorria, e ocorre, no \u00e2mbito nacional, neste mesmo per\u00edodo.<\/p><p>Link:\u00a0<a href=\"https:\/\/repositorio.ufu.br\/handle\/123456789\/28091\">https:\/\/repositorio.ufu.br\/handle\/123456789\/28091<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-34a47a1 elementor--star-style-star_fontawesome elementor-widget elementor-widget-star-rating\" data-id=\"34a47a1\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"star-rating.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-star-rating__wrapper\">\n\t\t\t\t\t\t<div class=\"elementor-star-rating\" itemtype=\"http:\/\/schema.org\/Rating\" itemscope=\"\" itemprop=\"reviewRating\">\n\t\t\t\t<i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i><i class=\"elementor-star-full\" aria-hidden=\"true\">&#xE934;<\/i>\t\t\t\t<span itemprop=\"ratingValue\" class=\"elementor-screen-only\">Rated 5 out of 5<\/span>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>BATISTA, C\u00e1ssia Magaly.\u00a0A reinven\u00e7\u00e3o da marmelada: diferentes gera\u00e7\u00f5es no Circo do Povo em Uberaba MG.\u00a0Disserta\u00e7\u00e3o (Mestrado em Artes C\u00eanicas) &#8211; Universidade Federal de Uberl\u00e2ndia, 2019. Palavras-chave: Circo do Povo, Circo Social, Circo em Uberaba, Palha\u00e7os, Artes Circenses. Resumo: Este trabalho &hellip; <a href=\"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/?p=1079\">Continue lendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[324,320,322,321,323],"class_list":["post-1079","post","type-post","status-publish","format-standard","hentry","category-diversos","tag-artes-circenses","tag-circo-do-povo","tag-circo-em-uberaba","tag-circo-social","tag-palhacos"],"_links":{"self":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/1079","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1079"}],"version-history":[{"count":4,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/1079\/revisions"}],"predecessor-version":[{"id":1083,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=\/wp\/v2\/posts\/1079\/revisions\/1083"}],"wp:attachment":[{"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1079"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1079"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/utfpr.curitiba.br\/bibliotecadesigncenico\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1079"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}